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The remake of the original 1963 film
Archival films from itinerant filmmakers who traveled the south in the 1930s through the 1950s are reworked, the footage presented as ghostly apparitions in modern urban Texas settings.
Short by Giorgi Gago Gagoshidze.
Geologist Dr. Andrew Snelling presents several lines of evidence that both confirm the biblical account of the global Flood, and cannot be explained by evolutionary models. From deep sea fossils high atop the Himalayas to the movement of the continents during the Flood, the big picture comes into sharp focus when you look through the lens of the Bible!
A fragmented look into the memories of two strangers from the same hometown, brought together through a university project.
"It Is What It Is" is the story behind the band The Breathing Light. Recorded over various periods in it's short period of 5 years, it gives viewers insight into the personalities and ideals that make up the band.
With the help of her friend Dolores, Consuelo sets up a care home. However, their only client is a violent man who will make them go as crazy as he is.
A biographical documentary about the life Hazel Dickens profiling a modern woman dealing with contemporary issues from a feminist perspective that is the product of her experiences being Appalachian, being displaced physically and culturally, being poor and working class, being a woman artist in a man’s world, and being a bearer of tradition.
When faced with a tough decision Static (Joe Ayinde) must choose between loyalty and success. Stick with King (Michael "Sceyentifik" Massey) and continue the slow grind to the top or trade it in for instant fame.
This 21-minute silent short comes from the U.S. Department of Agriculture and shows President Roosevelt's Civilian Conservation Corps in full effect from the time the boys went to work until the time they left. The CCC was basically put in place to give young men a job, boost their moral and protect the forests of California. Throughout the short we see the various jobs that were being performed and one really does get a great idea of what this mission was all about and why it was so important to Roosevelt.
An incident between two people is examined through the exploration of rooms.
Music video for "Innergaze."
A married man invites his girlfriend into his matrimonial home while his wife is on a business trip. He lives to regret his actions when he discovers that the two women have coincidentally met at a job interview and will be working together.
It Seems to Hang On is based on the true story of the serial killers Alton Coleman and Debra Brown, a young Black couple who cut a violent path beginning in the summer of 1984 through the American Midwest (Ohio, Kentucky, Michigan, Indiana, Illinois and Wisconsin). The dialogue spoken in the film is inspired and based on lyrics from the American soul duo (and couple) Ashford and Simpson's 1979 hit song "It Seems to Hang On".
Extreme sports meets midnight movie with a film that showcases wild surfing and skateboarding madness.
The "sequel" to the Suicide Girls first movie--"Suicide Girls:The First Tour." While the first movie focused on the American Suicide Girls and their burlesque show, this movie focuses on the international Suicide Girls and the photo shoots that they took outside and around the Italian villa that they stayed at.
No plot found
From MOMA: "This meditation on cultural imperialism and the commodification of objects is an expanded historical response to Chris Marker and Alain Resnais’ 1953 film Statues Also Die. It includes chapters on African art, a performance with the Michael Clark Company based on ideas about commodities and exchange, archival material, and a narration by Kate Hardy."
There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.