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A young Innu returns to the site of the Sept-Îles Residential School to deliver a poetic tribute to its victims. The school was open from 1951 to 1972.

In Alto do Sol Nascente there is no square, no park. The children who grow up where the sun rises demarcate with their own hands the territories where they can play.

It is criticized that the resident card, which has been implemented since 1968, is in fact only a fascistic system of state power to classify and control the people. Fingerprinting is the most essential part of the control process, and the work explains that only after completing the humiliating fingerprinting process can you enjoy your rights and duties as a 'citizen'. The director is a person who has participated in the opposition to fingerprinting since May 2000. The movement of the work follows Lee's struggle leading up to the administrative lawsuit, intersecting the arguments of the government and the logic of opponents of the resident card.

Since the end of eighties, Hong Kong has been through tremendous changes -- re unification with China, economic downturn, political reform, etc, have all greatly affected our way of life. In the film, about sixty people are invited to talk about their views on several major socio-economic and political issues.

The film attempts a philosophical understanding of some chapters of the Gospel and raises questions about the surmountability of the exoteric barrier.

Marcos and Mateo have been friends since they were children. The two have grown up together until the construction of a highway splits their town in two. Marcos ends up on one side, while Mateo is on the other. And that highway is not the only one that tries to separate them.

Two farm boys, Isagani and Tomas, accidentally start a catastrophic rumor mill that an old farmer, Nong Anil, is a witch, as they always catch the wind coming when he whistles, driven by the belief that this is a long-forgotten practice of witches.

"Ngày Xưa Có Một Chuyện Tình" revolves around the intertwined friendship and love story of two boys and a girl from childhood to adulthood, as they face the challenges of fate. Spanning four stages from 1987 to 2000, the three friends—Vinh, Miền, and Phúc—grow up together, experiencing the innocence of love, life's struggles, and personal growth along the way.

The film tells about the life and work of the outstanding figure of Russian cinema Esfir Ilyinichna Shub.

In the middle of snowy mountains, a yeti stumbles upon a television set and is shocked by his discovery of human entertainment.