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The film 'Ke Ghar Ke Dera' hit theaters in 1985, showcasing Puran Joshi in his first film, alongside Sharmila Malla, Madan Krishna Shrestha, Hari Bamsha Acharya, and Kristi Mainali in their respective debut roles.
The psychosexual drama Yoji, What's Wrong With You? examines the identity of women as mothers in Japanese culture, through an Oedipal narrative of a skewed "family romance." When Yoji announces to his mother that he wants her to meet a new girlfriend, the mother's jealousy destroys the relationship. Idemitsu's signature device of using a television monitor within the domestic space works as a powerful metaphor for the ubiquity of the mother in Yoji's psychological life. Idemitsu's melodramas always articulate a double-edged irony: With no identity outside of her maternal role, Yoji's mother fastens onto her son, ultimately destroying him. Yoji himself is seen as emotionally stunted, unable to leave his mother or experience love for any other woman.
Pathé film number 1244, a remake from Ferdinand Zecca's film of the same name (1901). This version was known as "What Is Seen Through a Keyhole" (US) and "What Happened: The Inquisitive Janitor" (UK). Titles get often confused. This version is currently considered lost.
Just before their wedding, doctors discover signs of a life-threatening disease in Adam. Not wanting to spoil the life of his fiancee, Adam tries to break off relations with her, but Aisha remains faithful to her chosen one, deciding to share her fate with him - whatever it may be...
A father and his teenage daughter are living in a small house in the outskirts of Denmark, when he finds out he's terminally ill.
Based on a scene from Jean Genet's novel "Querelle".
An intimate confession of a girl who was diagnosed with diabetes at the age of 23, created as an assignment for a Documentary Film course. In the form of a conversation with herself and her mother, she examines the impact of the disease on her life. The film thematically explores the mental space occupied by the illness and the way she copes with the new circumstances.
What Belongs to Darkness (German: Die Finsternis und ihr Eigentum) is a 1922 German silent drama film directed by Martin Hartwig and starring Karl Etlinger, Erra Bognar, and Fritz Kortner. The film's sets were designed by the art director Alfred Columbus.
It's a satirical sketch about the backstage of provincial film-making. It is a film about money and evil.
In 2022, 92% of those affected encountered aggression or violence. Frans Bromet portrays six influences who encounter violence while carrying out their work. The violence with which the actual consequences are, leaves personal physical, especially mental, traces.
An industrious young man faces the test of revolution and displays a wide array of contradictory emotions, from fear to curiosity and from hope to bitterness.
Hong Kong movie
Violeta, a manic and stalker mythomaniac, becomes obsessed with a client of her photocopier shop
The documentary analyses the relationship between producers and chefs based on their own testimonies. It touches on subjects such as the importance of the produce in the kitchen, sustainability, the generational takeover and promotion of the rural world.
After Sinas boyfriend loses all their savings with his criminal wheeling and dealing, every means is right to her to gain her some money.
After getting a flat tyre in the middle of nowhere, Diana is approached by an unknown man who offers to help her. Things seem fine, but the dynamic between them shifts from one extreme to another.
A short film that tells the story of Valeria Specolizzi, a lesbian woman who grew up in Salento - a region in Southern Italy - in the seventies and eighties. The film works with memory and queer genealogy while exploring the social environment of Salento in that time period. The narrator, Marta Specolizzi, is Valeria's niece and through the film, she recounts her memories with and of Valeria.
A documentary essay balancing between irony over national stereotypes in general and a nostalgic flow of cultural associations from the director's memories: Russian nursery rhyming stories, the only Mordovian words she knows from her mother, school counting rhymes with German verbs, Tatar songs by her mother-in-law, quotes from some soviet poems, scenes from the opera "Eugene Onegin", the old anthem of Kazakhstan, which she memorizing for her district administration, and much more.
