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When filmmaker Yoshifumi Tsubota learns about his slightly autistic uncle who lives alone, he decides to visit him. Drawn to his uncle’s unique personality, he begins to roll his camera as he visits him over the years. Tsubota himself had been diagnosed with a developmental disability and so understanding his uncle is also an act of understanding himself. Through intimate and personal footage, this charming film is gem of a documentary that also highlights contemporary social issues surrounding aging and social care for the disabled.
I Yam What I Yam...L'invenzione' is centered around the collision of two films originally shot on the same location; Emidio Greco's 'L'invenzione di Morel' (1974) and Robert Altman's 'Popeye' (1980). In Greco's film a shipwrecked man stumbles upon an ultra-modernist mansion. In it he finds a group of people trapped in a perpetual present facilitated by a machine that's capable of reproducing reality. Sant's reinvention of this film is shot on the same location, follows the same storyline, but occupies another world. In place of the mansion, he finds himself in 'Sweethaven' - the set of Altman's 'Popeye'. Though there is no trace of Greco's set, Altman's 'Sweethaven' remains - echoing Greco's plot by existing as an open-air museum where costumed entertainers re-enact scenes.
Once around the globe on a motorbike - Christian Vogel has fulfilled this lifelong dream. During the 333 days and more than 50,000 kilometers, the camera was his only companion. What he saw on the way and whom he met.
This is the story of a man who challenged his country’s institutions by proclaiming himself legitimate president. This is the story of how the controversial Andrés Manuel López Obrador, who led the polls during 4 years, lost the election by less than half percent. It all begins while he is still Mexico City’s mayor, up to his self proclamation as president and his actions during the first days of Felipe Calderón’s government.
Pushing 40 in a cycle of failed relationships, Lili tracks down former lovers to ask, “What went wrong?” Wouldn’t that be enough already for a beautiful film that cannot but interest the whole world (searching for love)?
Leónidas, an eccentric artist, enters an existential crisis, and seeing that his new art exhibit's success does not motivate him, he decides to fabricate a relationship between his wife and a younger couple, hoping this will generate some inspiration for his work and life. His plan fails, as his wife leaves him for the young man and becomes close friends with the young woman.
My mother has died. Her name was Maria. Her children, we, Raúl and Santiago, discover among the objects left by our mother hundreds of photographs from our maternal grandfather, from REGINA -our great-aunt-, from our mother, from our father... And through those photographs, and with the help from an old camera -my grandfather's inheritance-, I, -along several trips to the places where those photographs were taken-, seek to recover and not lose my memory... that of my family. In the end, we will have to think on our memory and on what we have preserved and lost.
Sequel to acclaimed animated film I Am What I Am.
In Shimizu’s sequel to his 1948 masterpiece, a journalist arrives in the secluded foothills of Izu to find a hidden commune to ask, “What happened to the children of the Beehive?” Three years have passed and her question situates itself not only in the realm of Shimizu’s craft, but that of reality: What became of the war orphans Shimizu raised?
Together filmmaker Nathalie and her friend Fabienne venture into a world of memories and forgetting: Fabienne to prepare for her departure from life and Nathalie in order to face it.
The Konsum cooperative strikes a blow for equality in a film directed by one of Sweden's few female film directors: Ingrid Luterkort.
A story about a pilot, a captain, a machinist, a driver, a mailman, a girl... and a giant box. What's in the box, the giant box that the pilot brought with him from a country, far, far away? Probably an elephant, the captain thinks, and very carefully he loads the box onto his ship. The ship hobbles and wobbles on the high seas. A strong gust breaks open the walls of the box creakingly. And what’s in the box? Another box!
Sunny and Hannah live together in the big city. Sunny is aspiring actress, intensely preparing for the premiere of her new play. Hannah is often alone—dealing with her demons alone.
Love itself is more important than the object that inspires it, writes one woman to another. The one is Rosa Luxemburg, interned as a political prisoner in Breslau, the other Rosa Liebknecht. In Astrid Johanna Ofner’s poetic film essay with shots of Berlin and Vienna, the letters from 1917–1918, shortly before Luxemburg’s murder, become a melancholic flow of love, comfort, and hope. An enchantingly beautiful film.
The two brothers meet for the first time in years at their mother's funeral. The drama that quarreled between them crippled two lives, and the culprit - the eldest - went unpunished. Now he is a businessman, and the essence of his “business” is revealed at the commemoration: the taking of apartments from old people. The younger gets a chance to take revenge, but that means ruining his brother's life.
An teenage orphan travels to Europe to find out more about his parents and their love story.
Gwen is 11 years old. As she experiences her first excitements, she catches her dog laughing.
Turkish democracy got over the 27th of May and the 12th of March and set off again, but the storm did not subside and the mutual reckoning was not over. On the contrary, new fronts were opened in the country and blood began to flow like a gutter. Finally, on September 12, there was a knock on the door again. Those who came that day changed everything, everything. Nothing would ever be the same again, nothing would be the same as before.
Hakim and Faisal continue their journey to find their perfect match. During a work trip to Vientiane, their friendship is tested when they fall in love with the same woman: Mina, a Lao tourist guide.