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How do those within the memories show themselves to us?
A group of friends embark on an odyssey to make a name for themselves in the web series industry during the terror reign of bloggers in 2012.
"I was tired of aimlessly walking the club circuit so I decided to entertain myself in a more interesting fashion, combining clubbing with the creation of a work of art. Wearing the dress code appropriate to each club so that I would not stand out from the crowd, and armed with my camera, I walked into the ladies toilets of various night clubs asking the girls and women I bumped into the same question: What is in your handbag? It is unbelievable how much one can learn about girls by checking the contents of their bags and also listening to their own comments about them."
AND WHAT DOES YOUR MOTHER DO? is a humorous film which cleverly uses the technique of speeded-up action to expose basic inequalities built into the traditional family structure, which lay the bulk of responsibility and pressure on women.
From a family of four, only Ariadna and her mother remain. The house is too big for them, it's time to go. Before, they will have to take care of a last room: one that has not been opened in years, one that hides the trace of pain that consumes them in silence. Because silence kills; Ariadna knows it and is determined to break it.
The protests in Belarus had been going on for the 12th day, but many began to think that they began to slip, and Lukashenko came to his senses and slowly began to regain control. Is it so? Will people get tired? And will they go home, giving Old Man another five years in office?
The story of the dysfunctional Tounsia family where Zakia, the matriarch of the family loves her son Selim to the point of enslaving the rest of the family. And the rest of the family just want one thing, and that is for Selim to get married and be out of their lives forever.
A journey in the search of Palestinian memory inside Israel.
a narrative experiment
What !f is the first film to showcase the progression and limitless boundaries of off-road riding. Featuring today’s best riders showcasing their talents in front of some of the best cinematographers around, this film will not disappoint. From the tight trees of the East, to the wide-open terrain of the West, the athletes of What !f prove again and again that no terrain is out of reach.
Hum lives in a refugee camp near Hamburg. He loves films and finances his visits to the cinema by selling lost properties from cinema visits in the refugee camp. One day he meets Anna and her friend Ida. At a dinner together in the shared flat of the two, they find out that they all share a love of music. Anna and Ida can sing great together and Hum shares the contact with his friends who play in a band. A timid and touching love story develops between Hum and Anna. Both are looking forward to the first performance of the band, in which Anna now sings. But shortly before the performance, Hum is to be deported. Neither his love for Anna and music nor his imagination can save him from the everyday life of a refugee.
Loss, resistance, identity and the elusiveness of justice as experienced by the Ndolila family in their quest to get back their family land stolen by the apartheid government in 1973.
During a long period of isolation, two friends face the challenge of getting away from some important people, until an important message comes through a letter that was lost.
In a psychiatric hospital, Thissa d'Avila Bensalah, a theater director, works on a theatrical construction inspired by Rainer Werner Fassbinder's BREMEN FREEDOM in which she involves nine patients under psychiatric care. The play's main role of Geesche is played by Annick. But what does it mean to make a fictional character come to life when that character is so close to one's own experiences ? A number of questions arise concerning the impact of Geesche's story on the intimate and collective life of the actors and actresses involved in the play. Annick, Georges, Jean-Pascal, Jean-Paul, Anne, Nordine, Felix, Stephane and Marie-Pierre question how their real lives overlap with their theatrical roles. These questions eventually develop into a common reflection on how psychiatry, patriarchal violence and social constructions are ultimately interwoven.
Fragments of love in an eternal journey of memories or looking for eternity that belongs to us.
An unlikely band of misfits has made their home on a roof between a feed mill and the municipal waste treatment plant. But life is good, away from society and living of this leftovers. Lisbeth, Herbert and Walther have created their own self-sufficient little paradise. While Herbert is hunting cats, Lisbeth tends to the self-grown vegetables and Walther angles for usable scrap from the dump down below. One morning though, the peace is disrupted: A nameless, suit wearing stranger has appeared overnight and set up his tent among their huts. He does not speak, but obviously he intents to stay. The rooftop dwellers are anxious. Will he destroy their perfect little society? Or can he be part of it… incorporated so to speak... ?
The envious Goose traded from other birds what he liked: the neck of the Swan, the nose of the Pelican, the wings of the Raven, the legs of the Crane, the tail of the Peacock; the Rooster's scallop and a "crow" in addition. The Goose began to look like no one, just for some reason everyone laughed at him. The Sparrow helped him with advice, suggesting that the Goose's stupidity be replaced with the wisdom of the Owl. At the Owl, the Goose also learned that "A smart bird can not be proud of other birds feathers." Recognizing his mistake, the Goose changes everything back.
A bleak and violent story of delinquency and broken family ties. Christiaan MacDonald escapes from the reformatory where he has been serving a sentence for car theft and asks his sister Dina for help. When his father tells Christiaan he is adopted, and furthermore is banished from the MacDonald family, the young man responds with criminal behavior that rip the family apart.