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The film is about a very stern looking man who has come to a very unusual flat to repossess the belongings of an old man in a wheelchair. However, again and again, the home seems to play tricks on the guy--driving him half-mad in the process.

Visiting american journalist Johnson finds more in Guatemala than he's bargained for. His reporter contact is missing and nobody's looking for him; his first assignment is to meet with priest Pupo, so fevered with the advent of Satan that he clobbers an altar boy he fears is possessed; but there's also love, in the form of nurse Arloa Reston but who is she meeting in the jungle? Cosmic discussions of good and evil, with Pupo and a nihilistic colleague, turn into a battle for survival with the still-lurking forces of repression.

Humans have been our parents, our shepherds, and finally our obsolete children. Who are we?

Cecilia Mena is a 53 year-old woman and a mother of 5 children, who has been living her whole live without an ID because her mother never registered her birth. Now, as she waits for the nationalization, Cecilia describes the difficulties that involve not having an ID.

"La Montagne Invisible" is an installation conceived as a journey into the infinite : an immersive multi-channel AV installation that transforms the material of a Finnish wanderer's secular pilgrimage towards a utopian summit into an infinite video labyrinth of beginnings, endings and disjunctive in-betweens.

In the garden of a provincial summer house, a series of operations is carried out, involving a man, a woman and a group of individuals with certain convictions.

Aminodin's father always smiles because he says that happy people live longer. That's why, at age 8, Aminodin puts on her best smile while working at the Papandayan dump, where she lives with her family. At Instead, his cousin Aliman lost his when bombs began to fall from the sky in the town of Marawi.

The Crop of the Invisible Flower is a daily painting of a group of people who have been struck by forzed dissapearances on Uruguay. The documentary follows them through 5 years, starting from the first triump of the left on the country, exploring reality through their eyes. The movie also explores the search for the truth on a society divided by justice and memory.

A text read by the narrator traces the vicissitudes of the crucifixion of Jesus, while the objective of the two directors investigates the style of Piero della Francesca by exploring his frescoes in the Arezzo church of San Francesco.

Little Red Riding Hood and the wolf chasing each other. A tale with sad ending.

There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.

A struggle of detachment with a strong irrational bond. This videoart plays with codes of audiovisual language, however, it moves away from it to pass to symbols and forms that together describe the shadow of an inherited landscape called heritage, it is at this point where the artist rehearses a discourse on the invisible image that builds the pathos of our identity.

‘The Invisible Player’ is the first documentary about homophobia in football in Italy and tells the story of the Florence-based gay-friendly Revolution Team. Through interviews with the Galatasaray and former Italy, Fiorentina and Roma manager Cesare Prandelli and the former Milan centre back Alessandro Costacurta the documentary promotes a debate around the topic and offers support for gay players.The film also looks at the relationships between players, clubs and fans and the impact of these in promoting a diverse and welcoming environment in football for gay players.

An extremely rare shot-on-video horror film that involves a Ouija board and a demon.

No to IUS SOLI. No to ETHNIC REPLACEMENT. No to this INVASION that will destroy our culture and our land.

An anthropologist investigates the memories of head reduction practices in Shuar culture.

A young black woman searches for the face of her community in film posters. Her obsessive search leads her to the brink of madness.

The desert is calling. Yet, it is with the ocean that Fabrizio Maltese’s journey begins. He has accepted Abderrahmane Sissako’s invitation to continue the film he and Pol Cruchten had initiated together. Pol has since passed away. The project he had been dreaming of has thus taken on a new, symbolic dimension. It must see the light of day. This is why Fabrizio has traveled on his own to meet with the Mauritanian director. But fate seems to have decided otherwise. From Saint Louis in Senegal to Nouakchott in Mauritania, from Mata Moulana to Chinguetti, Fabrizio allows himself to get lost alone in the desert, with nothing more than a few scribbled notes jotted down on the piece of paper that was given to him by the two filmmakers.