Into The Rainbow Streaming Avec Sous Titres En Français

The story of Josephine Baker takes us on a fascinating tour of 20th-century race relations on both sides of the Atlantic, yet it leads to no conclusion, and black girls in search of a role-model tend to look elsewhere. Part of her appeal is her startlingly unique appearance. Simply nobody has ever looked or acted like her. She fits no black stereotype. Nor does she look like any recognizable strain of Afro-American. I'd always heard she was half-white, but it seems that her paternity is unknown, and her contradictory claims on the subject don't do much to enlighten us. (We are tempted to imagine quite an exotic mix.) Her origins in sharply-segregated St. Louis, where she is said to have witnessed a lynching, do not seem to have left her embittered. Perhaps she had too much to give. There is a special innocence about that smile, and when she performs her cross-eyed gag, we are lifted into a strange pixie-world, all its own.

After a tragic road accident, broadcast journalist Jin-soo finds he's lost pockets of his memories, including that of a woman he once loved. Nagged by unrelenting feelings of loss, Jin sets out to find her. His quest lands him face to face with Yeon-hee, a woman who's trying to forget a man she once loved. What begins as a journey of sadness turns into a triumphant story of love for the pair.

Very dreamy boy who is also a young poet, met a fairy who gave him the ability to do good in PE (specifically high jumping) with a condition that he will not say lies; once he commits a smallest lie, his abilities are gone...

Out of nowhere, a homeless Tae-sung shows up and sets up his so-called house in an apartment’s playground. The playground is not only for children but also for neighbors who come and go to share their stories. Tae-sung observes what people do around the playground and sometimes he helps them to solve the problem. When the righteous homeless becomes almost like a sheriff of the playground, suddenly female residents disappear one by one.

A former seaman long presumed dead returns to the Philippines and tries to reconnect with his wife and three children with the help of his gay best friend.

In this sequel to Yesterday You, Yesterday Me, Bobby looks back on his youthful dreams -- the joys of love and the pain of separation. He also remembers the summer of 1985 when he was smitten with a woman named Sharon.

A half brother and sister work at a hotel in Hakone respectively as a porter and a souvenir shop clerk. They are close. One day a woman named Hasegawa checks into the hotel in order to recuperate in a calm environment with fresh air. She is the mother of the store employee. The mother and daughter were separated due to the Kanto earthquake. The girl was practically raised by her older half brother.

A seamstress seeks the love of her life while helping a troubled couple.

“Our family is special”, says filmmaker Lei Lei’s father Lei Jiaqi. On the audio track of this inventive, poignant essay film he starts to talk about the struggles of his family, amid China’s troubled times of the 1960s. When his own father, Lei Ting, is sent to the countryside, he stays behind with his sister and his ill mother. When Mum passes away, and the system forbids Ting to come back to live with his children, the kids are kept in an orphanage.

A group of 10 students struggles with poverty and develop hopes for the future in Gantong Village on the farming and tin mining island of Belitung.

A young man fails his company entrance exams and leaves home to work at a run-down cinema in Tokushima, whose owner lives to bring entertaining films to the residents of his small town.

Director Aditya probably made "Rainbow" under the assumption that there would be a golden pot at the end of this one, based of hero Rahul's track record, but sadly that is not the case.

This documentary focuses on the experiences of children at a village primary school in the '90s under war conditions and the oppressive environment brought on by war and their longing for peace. Bûka Baranê, means The Bride of the Rain in Kurdish. It is the Kurdish phrase used for the rainbow. The documentary, begins with a photograph of primary school children taken in 1989 in the courtyard of their school in the village of Befircan or Karlı, to use its given Turkish name, in the Yüksekova district of Hakkari province.