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There are many in-betweens in my film. The most relevant that are in the source material are essential to the film, they are their own Time and Space generators, they are what exists between each of the imagens.
He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?