In The

After Anna was repeatedly cheated by her girlfriend, she decides to look for an affair herself. She meets different persons in the park.

Siblings Inka and Juha are hiking in the woods. The tension starts to grow between them. This opens the old wounds of the couple and wakes up the demonic powers of the forest.

Paolina is the illegitimate daughter of the Duke of Vallenza, and lives as a beggar. She meets with Nunzio, a blind man who plays violin, exploited by his stepfather, and the two fall in love. The old Duke, remorsing, tries to find his daughter but he doesn't manage and leaves everything to his latest concubine, Livia, while Nunzio and Paolina will live in misery. The only copy of this film was destroyed in World War Two

Espionage thriller about a married couple caught in the middle of dueling spy organisations.

An investigation into the sighting of a blue horse with roller skates in an apartment building turns into a burlesque nightmare.

Knife in the Wife is an impressionistic documentary showing the life of a provincial circus called 'Arizona', which is grotesque on some occasions and sad on others. The showpiece of this troupe of six people is throwing knives. Their glory days are over now, their programme is not of the highest order, yet the magic of circus is still there and their young audiences watch the show with flushed cheeks.

A young woman and an urban landscape mingle.

In a wedding ceremony they did not let the children to enter and send them to a shack in the end of the garden and an adventure begins.

There is a civil war in Central Asia. Bai-rapist kills the whole family of a Turkmen young man, the shepherd Chara Esenov. The surviving Chara, avenging the scolded honor of her young sister, single-handedly pursues Shamurad Khan, the head of the local Basmachi gang. Acquaintance with the Red Army soldier clarifies the meaning of the fight to the hero of the film, he adjoins the Red Guard, opposing the Basmachi, and, giving up personal revenge, once leads Shamurad into a detachment for a legal trial ...

Documentary about an alcoholic and his unsuccessful struggle with addiction.

A bizarre cartoon based on English nursery rhymes.

A man drives through the forest at night. He suddenly sees a lonely little girl in the woods. It appears that both the man and the girl are not who they seem.

The hero of the film Max secretly meets with the girlfriend of the mafia Ahmedya, Aizhan. Ahmedya finds them together and puts Max in the trunk, where there is already a guy from the village of Kayyrly tan, who also crossed the path of the mafia. That's where the adventures begin...

And then lamppost-high snow sculptures, New Year's rides, hats with earflaps, frozen fingers, a giant snow crocodile! Minus fifteen Celsium at least, but the camera does not fail.

A colorful psychedelic animation developed by drawing motifs of each part of the ear and body.

Dani's heart grows erect, and comes.

A poet explores his world, a small town on the Lower Rhine in the 1970s/80s, with words. His son, a filmmaker, now confronts the written words with contemporary images of that area that look like they come from the past. In this superimposition of ambiguous linguistic images with architectures, monuments, streets and parks a view of the inscribed mentality and history of the former Federal Republic of Germany unfolds. The images are as permeable as Dieter Liewerscheidt's poetry in which philosophical, pop-cultural and personal elements are intermingled.

A girl sleeps in the woods and wakes up for life.

This is Denmark. This is Denmark’s most sold car. This house’s worth has doubled over the last 3 years. A measuring tape and some hedges. So begins Max Kestner’s story on Denmark. With an even-keeled narrative, this film takes us on a kaleidoscope tour around Denmark— from an editorial meeting at a magazine, to dictation in an Elementary school; from singing in a kindergarten, to a family planning their vacation; from a meeting with Pia Kjærsgaard, to a real estate agent in front of a newly sold house and a Danish landscape seen from above. These everyday situations tell universal stories about us. These are contemporary stories. This is Denmark’s world. With speed we shift through each story from up close to far away. This film is a mix of studio recordings with Denmark as its setting. This story is linear with a system of coordinates and a range of colors on repeat. Pseudo-scientific scenes are instruments that make it possible to isolate and compare objects and people.