In The Tropi

Agadiri and Oussama, two Moroccan friends, laze around and survive while the camera explores their bodies and faces. But things are by no means simple. Both have only been in Spain for a short period and are facing a supposedly temporary situation, which must culminate in their futures being defined in the midst of a pandemic. Filmed indoors, Monte Tropic gradually travels towards a more indefinite and dreamlike space to question the memories and desires of these young people, whose inactivity vindicates their right to be above the disastrous political use of their situation.

British true crime documentary series in which family members, friends and investigators share first-hand accounts of mysterious deaths, both solved and unsolved, of British citizens abroad.

Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-martialed out of the army and boards a Japanese ship for the Orient in late 1941. But has Leland really been booted out, or is there some other motive for his getting close to fellow passenger Doctor Lorenz? Any motive for getting close to attractive traveler Alberta Marlow would however seem pretty obvious.

In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.

When reporter Dan Geraldo (Alain Chabat) arrives in Palombia to hunt for a scoop, he never suspects that he is about to make an incredible discovery... With his resourceful local guide Pablito (Jamel Debbouze), D an has one surprise after another during a thrilling adventure that allows him to bring the world some spectacular news: the Marsupilami, a mythical and mischievous animal, really does exist! You too will believe in furry tails!

Sisters Alex and Madison are whisked away to the Bahamas for winter break but soon find themselves crossing paths with a man smuggling stolen artifacts.

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

Jim Conway, who works on a South American rubber plantation, leaves to meet a girl from the United States whom he is to marry. But he receives a telegram from her telling him she has married someone else. He goes to a waterfront café where he meets a singer, Joan Madison, and tells her his troubles. He asks her to marry him and return to the plantation with him using the name of the girl he was to marry. This strikes her as a great idea as she is a wanted fugitive.

One year after their royal wedding, King Edvard and Queen Paige of Denmark receive an invitation to attend the wedding of Princess Myra of Sangyoon. Upon their arrival, Paige finds Myra is unhappy with her arranged marriage to the brooding and sinister Kah and is secretly in love with a young elephant handler named Alu.

Fourteen-year-old Han-oh is a boy from what is commonly called a “mixed-race family.” He is often the target of violence from his classmates, but he is more concerned with who he is and what he wants to be. One day, at the end of an unexpectedly long trip, he is forced to confront these questions again and finally answer them.