In The Shadow Of Men

Serial killing cases happened in city and the killer disappeared. Campus Goddess, Zhao Ziyu, is always disturbed by a strange dream of childhood. Professor Bai help her with some medicine. Campus Beau, Lin Mu, lost his legs in a traffic accident. His aunt, Jiang Yexin, an expert in Psychology, found Zhao Ziyu to help this boy. Then a big secret of serial killing was discovered step by step...

As a young couple are having a movie-night, a ghost from the girlfriends past comes back to haunt her.

Im Schatten des Wohlstandes is about children; their illnesses – if that’s what we want to call them – are civilisational in nature: their parents have to abandon them to keep up with their jobs; frustration is the core of capitalism.

A music composer tries to deposit money in his bank one morning, and is accused of counterfeiting. Harassed by the police, the gang of counterfeiters and a stranger, he becomes panic-stricken. The unjust charge brought against him ignites his deeper feelings of guilt which stem from his sterile existence and, mainly, from his inability to produce creative work. Then he flees and begins wandering in an unfamiliar "country" where his painful adventures will finally prove redeeming. The film is an existential drama in the form of a "dreamlike" thriller.

This film by Jüri Lina shows how the freemasons, the international bankers, and the communists joined forces in an unholy alliance and through the Bolshevik Revolution of November 1917 established in Russia the most brutal and dehumanising slave society the world has ever seen. The Russian writer Alexander Solzhenitsyn in 1974 admonished his countrymen: “Live wit-hout lies!” This applies equally to the West. The Truth in our time is in no-way self-evident. Most official facts about communism are not true. Solzhenitsyn emphasized: “In our country the lie has become not just a moral category, but a pillar of the state.” The facts have been suppressed both in the East and the West.

The structures of our thought filter what we see, and in fact there is no seeing apart from those structures. This film is part of an ongoing project to show where I am in a (here, natural) landscape in a way that reflects those structures of thought. It is "hypnogogic," not so much perceptually (although to some extent that too) as conceptually. Our eyes see constantly, but what do we actually notice? That vision is excessive, wasteful, even; in paring down, it becomes both more spare and more concentrated. It is also a meditation in process of how my marvelous son Marcus has changed my life and my way of being in the world, recoloring a place where I was already.

A documentary that records the darkly humorous sequence of events leading up to a seance to manifest Big Edith Bouvier Beale and Little Edie Bouvier Beale so they can attend a celebration of the 35th anniversary of the original Maysles Grey Gardens film. Based on the fascinating archives and life of Lois Wright, artist and mystical Hamptons member of the original Beale ensemble who lived at Grey Gardens for 13 months and was an intimate friend of Big and Little Edie. Discloses never before seen photos and information and parodies Hamptons-style parties with ghost list invites to celebs such as Frank Sinatra and John Gotti.

Resemblance to Chuck Norris changed the life of Jacek Pieniazek. As an impresario he employs in his agency other look-alikes such as Jerzy Maksymiuk, Lech Walesa, and Elvis Presley.

(Italy, 1954), 9 'R: Renzo Renzi 35mm. L .: 300m. D .: 11 'at 24 f / s. Col.

This documentary goes deeper into the life of Jozef Peeters his family. Godelieve is also central to this documentary. Thanks to her, the apartment can be visited.

After the death of Octavian, the rebel populations of Illyria and Pannonia pose a grave threat to the Roman Empire. Tribune Marcus Ventidius is sent to subdue the uprising and, after a bitter battle, captures Pannonian chief Magdus together with a number of women hostages. These include Magdus's own daughter Helen, betrothed to cruel Illyrian warrior Batone who has killed many Romans. Julia, daughter of the Roman governor Messala, is in love with Tribune Marcus and, jealous of his sympathy for the barbarian girl, plots an escape by Helen and her father. Pursuing the fugitives, Marcus crosses a mountain pass where Batone has laid a trap.

The 21st-century tale centers on taciturn detective Lipton Cockton as he looks into a series of murders involving exploding victims. The main clue in the case is the white halter dress worn by Marilyn Monroe in the subway vent scene in The Seven Year Itch. This clue directs Cockton to the highest levels of the super company LTD Prods. But though Cockton tries and tries, he cannot get there and ends up himself blown to smithereens.

In the Shadow of Hollywood examines this assault on our senses through interviews with directors, producers, writers and other experts in the film industry.

Pulitzer Prize-winning MAUS cartoonist Art Spiegelman uses his harrowing experiences as a New Yorker on September 11, 2001 as the catalyst for this haunting meditation on the most horrific terrorist attack ever carried out on American soil. Narrated by John Turturro and featuring a unique fusion score by Sintax Error, this powerful multi-media experience brings the critically-acclaimed graphic novel to life like never before.

Adolf Hitler consistently hushed up or denied his family lineage for fear that his ragtag bunch of ancestors and living relatives could tarnish his reputation or expose his imperfect Aryan background. His family had a history of psychiatric disorders, and his second cousin, Aloisia Veit, was locked up in an asylum for nine years before being sent to the gas chambers for being "unworthy of life". Hitler was embarrassed by his sister Paula, and made her live under the assumed name of Paula Wolf. Paula became engaged to Dr Erwin Jekelius, medical director of the asylum who sent hundreds of mentally ill patients, including Aloisia Veit, to their deaths.

Explores the natural history of the otter, depicted through the fictitious account of a day in the life of Otto the Otter and his mother. The narrator claims that the short features "the first film ever taken of an otter swimming underwater."

A recording of a girl (Nozomi Horikawa) playing with "Shironeko" on a sunny day. "Kuroneko" appears. A private cinema with kittens and trees swaying in the wind in the park in early summer.

Oscar nominated documentary short from 1984