In The Name Of The Brotherhood

A senior in highschool becomes determined to enter a certain university because of her infatuation with a self-centered baseball player who attends there.

The teenage life of a young man named Daniel, seen in two parts, as he struggles through with identity.

In a dreamlike Buenos Aires, Gay crusing is assimilated to vampire culture.

A documentary on stop motion animator Tomoyasu Murata and his work.

In a cinema, the day of the premiere of J'irai cracher sur vos tombes (adapted from his novel), Boris Vian has a heart attack. During his discomfort, he relives the major stages of his life: the meeting with Raymond Queneau, the nights of Saint-Germain-des-Prés, the scandal of J'irai cracher sur vos tombes, his love stories with Michelle Léglise then Ursula Kubler or his relationship with Jean-Paul Sartre. Through his memories, Boris Vian relives all his “parallel lives”.

Situated in the hills leading down to the coast, Ruifang used to pride itself on its coal mining industry. Every morning, miners from surrounding neighbourhoods gathered here to put on their gears and got into the minecarts, heading underground into pitch darkness. They worked non-stop in challenging conditions of high stress and high temperature, providing Taiwan with an indispensable source of energy. This documentary celebrates the miners’ contribution, but also stirred up controversy due to its inaccurate report of their wages.

Co-produced by Womenlink and the Feminist Film Collective Parituh, Even Little Grass Has Its Own Name was shot on 16mm film and was the first of its kind in Korea to address the issue of female office workers. The film is divided into two parts. Part 1 is about the conflicts of married female office workers who suffer from undertaking office work, housework, and childcare all at the same time. Part 2 focuses on single female workers who break away from being the traditional ‘flower of the company,’ and develop a greater sense of autonomy as they actively participate in forming a labor union.

The film revolves around a chance encounter between two pregnant women. One woman is Liotta, as in the title of the film. The other woman, wearing a red cloak, does not provide her name. Throughout the 12 hours that the film covers, she remains cloaked in total silence. Alongside apples and statues of Christ, children’s portraits play a major role as symbols in the film. The film maker says they refer to an approaching birth, but also to the fact that the woman in the red cloak lost her child and her husband in a car accident. The film maker is a follower of the thought that people’s urge to find paradise is linked to the individual experience they had as a fetus in the womb. The unconscious desire for this experience steers our everyday existence.

Gesuino, 88 years old, former shepherd. Never married or had a family. The outside world has stayed away. But far from everything, Gesuino still keeps one last passion.

The film, among other things, is about the division of sofra, which was eaten by 86 members of a large family because of their deceived daughter-in-law and then the amid. After splitting instead of one, a fire will be lit on several hearths. After that, the land is broken and divided, and when the land is divided, the hayvan is broken, so there are not one of the eight oxen ... and in the evening they returned home to feed their children.

Nicolas lives in a retirement home and gets bored more and more every day. At night, he calls sexual services for homosexuals by phone to cheat his loneliness. The coming of a new lodger, Daniel, will shake up his life.

The man who invented James Bond: The story of Ian Fleming, real-life spy, ladies' man and sportsman, who was there at the birth of MI-5 and the CIA, and gave the world one of its most enduring and iconic heroes: Bond. James Bond.

Early 1970s. Latin America was under a military dictatorship. Some political groups opted for armed struggle to confront the regime. Boni, an engineering student of humble background adheres to the armed struggle, but carries doubts and fears as to whether this would really be the best way, as he fears for his family, his girlfriend and the future, which seems more uncertain every day. Like so many, he is arrested, tortured and banished from the country. In exile in Chile, together with his partner Cecilia, he comes to understand society in a different way. He begins to work and live with the Chilean people, realizing that to change reality it is first necessary to understand it.

As an early exponent of a new wave of auto-fictional writing, Tomas Espedal has established himself as one of Norway's most influential contemporary writers. We follow charming Espedal through life and writing, from hiking in the french mountains, journeys to Gran Canaria and Provence and at home with his aging father, always via his typewriter at home in Bergen. A portrait that lives up to Espedal's self-proclaimed goal, to see what is beautiful.

How much can one imagine, feel, and how many times can one gain trust and lose trust, within only 4 minutes and 33 seconds? Using as a starting point her desire to represent a certain kind of silence, the director plays with the spectator's need for reliability. The film is never what one believes it is - until the last revelation. "The Last Name of John Cage" acts as still dialogue between a loud inner tension and the silent one all around.

A second coming? This time our savior chose a shantytown outside Turin, in the north of Italy, overcrowded by poor families coming from the south in search of a job in a factory, or less legal ways to survive. Young Maria (Cinzia De Carolis) can predict the future during her epileptic seizures, or at least that's what everyone believes, and her mother (Clelia Matania) sells her predictions and responses to the superstitious neighbors, after inducing her "trance" with electricity. One night the shock is too strong, and Maria seems to die: when she wakes up, she is found pregnant. And being a honest unmarried girl from the south, she is obviously still virgin... Notwithstanding the opposition of the local priest (Turi Ferro), everyone, including her, believes in the miracle, and prepares for a second coming, in a crescendo of fanaticism that is soon noticed by the press, and by the official church..

In the ravaged north-east of Sri Lanka, a nun and a servant struggle with the aftermath of a war that never really ended. Traumatised and haunted, the two must reconcile with their past, present and each other.