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In "My Grandmother Sits in the Garden", Jack Guariento delightfully employs a VHS tape format to mimic the feel of old home movies, in a warm and wise essayistic rumination on the relative nature of time, the cosmic interrelatedness of people, places and things, and the making of pasta sauce.
Set in the majestic landscapes of the sovereign Indigenous territories of Canada’s west coast, In the Garden of Forking Paths was almost entirely filmed solo by children. Handing a tiny omnidirectional camera from one to another and transforming it into an instrument to explore wondrous parallel universes, the children-filmmakers lead us on a mesmerizing adventure of perception. Their ingenuity evokes both the ideal of an eye unconstrained by habits of perspective and the utopia of a cinema freed from technology by means of technology itself. Thanks to a lyrical intertwining of ethnography, play and reverie, the film becomes a touching invitation to reimagine entanglements among humans, nonhumans, and the world surrounding them.
An LGBTQ coming of age story during turbulent times.
Death in the Garden of Paradise is an intensely personal meditation on the murder of the filmmaker's father and sister in Lahore by an unknown intruder. The disassociation caused by traumatic loss and the impossibility of knowing the identity of the killer flow seamlessly into the film's aesthetics so that familiar sights become strange, shopkeepers and passing pedestrians become suspects, and sound is fragmented and distorted. Architecture and haunted spaces, deserted gardens, photographs and paintings are both metaphors and physical locations in this elegant elegy to mortality
«Nel giardino dei suoni» («In The Garden of Sounds») is a touching, poetic exploration of the relationship between mind, body and sound, and a cinematic journey to the borders of communication. Nicola Bellucci tells the extraordinary story of Wolfgang Fasser, a blind musician and soundscape artist who works with severely handicapped children, helping them to find their place in a world not made for them. On his own way into the darkness, Fasser discovered the world of sounds, a parallel universe to our visual world. His far-reaching explorations of sound’s effect on mind and body led him to the field of music therapy.
Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.
Enset, which is related to the banana plant, is very drought resistant and a good source of carbohydrates (in the stem and underground bulb). Enset has been farmed from time immemorial in the Gamo Highlands of southern Ethiopia, where women are the main cultivators. The film focuses on Aiye, the filmmaker's grandmother, who shares her knowledge about the enset plant, and shows how it is possible to produce good organic food by using simple farming tools and natural fertilizers. We see how she and a young kinswoman cultivate (using animal dung and organic waste to fertilize the plants), propagate (generating suckers from the corm), harvest (digging up the plant) and process (scraping and fermentating) the enset, and finally produce a variety of nutritious dishes.
The film embraces a boundary-pushing experimental form reflecting a relationship between nature and all livings.
Shadowbrokers are those who go unnoticed, posing as unremarkable people, when in truth, they control everything from behind the scenes. Sid wants to be someone just like that more than anything, and something as insignificant as boring reality isn’t going to get in his way! He trains in secret every single night, preparing for his eventual rise to power—only to denied his destiny by a run-of-the-mill (yet deadly) traffic accident. But when he wakes up in a another world and suddenly finds himself at the head of an actual secret organization doing battle with evil in the shadows, he’ll finally get a chance to act out all of his delusional fantasies!
Shan Cai, whose parents are far from wealthy, attends Ying De University, the private school established exclusively for rich students. Besides being looked down by rich classmates, she has angered the leader of F4, Dao Ming Si.
Collection of episodes of the CBeebies pre-school series narrated by Derek Jacobi, which takes children on an imaginative journey through the night garden, encountering its funny and lovable residents including Upsy Daisy, Igglepiggle, Makka Pakka, the Tombliboos, the Pontipines and the Haahoos. Episodes comprise: 'The Pontipine Children On the Roof', 'Looking for Each Other', 'Slow Down Everybody!', 'Igglepiggle Goes Visiting', 'Where Is the Pinky Ponk going?'
A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.
The lives of a mostly-elderly, highly traditional order of nuns are explored in St. John's, Newfoundland.
The house next door to Mr. Cobb is rented by Mrs. Rose, a widow who moves in with her little girl Helen. Mr. Cobb is a widower with a little boy, Phil.
The early sixteenth-century Japanese garden in the Zen temple of Ryoan-ji, in Kyoto, is considered a masterpiece of the karesansui or "dry landscape" style... In this film, the viewer is invited to experience the garden as an embodiment of ma, a Japanese concept that conveys both time and space... The aesthetic of the film is the message, it has the quality of an experimental film, a conceptual film-an artwork in itself. Good balance of music/visuals/titles. If not as compelling for some viewers as for others, still rated as very effective. Makes one want to visit the actual garden and experience its spiritual energy. – Art on Screen
An indoor garden institution where people can apply to go on holidays from their everyday life.
The emotional story of a mother giraffe, Mama Twiga, and the struggles of young giraffes and gazelles as they take on the risks of growing in the wilds of Swahili.
Several members of European Royalty, including the Duke and Duchess of York, and Alfred, Duke of Edinburgh, seated round a tea-table in the grounds of Clarence House.
Eun Dong-Joo attempts to get back her stolen life. When she was 6 years-old, she was abandoned at an orphanage. She did not remember anything except her name. Despite her difficult environment, she has grown into a woman with a positive and bright personality.