In The Gar

Hero Sadhik (Vinu Maddipati) lays down the family of heroine Apsara (Akshaya), including family. Loves Apsara at first glance. He befriends her and then tells her about his love. But Apsara is rejecting that he has no job and responsibility.

A gentle and confused home movie in search of a lost space - my grandmother's garden, where I spent my childhood. There is nothing to testify to that place and my time there. There are memories pollinated by the pollen of garden poppies the warmth of my hands, toiling in the sunshine and the stories of adults about the big world. Summer, reveries, childhood, prejudices, the realities of the noughties, a small town - shimmering images that can never manifest, but endlessly manifest themselves. The intimate experience is torn by externalised reality: the formerly Latin poppy becomes a threat to gardeners and gardeners, bugs represent terror and flowers represent death.

This film from the human fascination with immortalié stone, described by Roger Caillois in his book STONES. A cult of the stone has a long history in Asian countries like China and Japan. Moving from the mountain to the sea, the film unfolds like a dream incantatory which is the theme: In China, a mountain of Tséchouan, it is said that there was once a stone that had children. Beyond their age difference and the distance between them, those who dream of one stone are in constant contact. Fascinated by the same stone, their thoughts, their gestures, their desires end up merging. One day they will be reunited in a garden called the Garden of the ages. It describes the garden as the meeting in the same place and the same time the four seasons of life: the birth of spring, summer childhood, fall of man becomes an adult, the old man winter. This garden is both in and out, like a large house containing its own garden.

After an embarrassing game, Shuko, full of rage, accidentally gives a prodigious kick to a ball that leaves everyone speechless. The coach of the Futsal team looks at her and convinces her to join the team, not only to get him out of his mediocre position, but with the intention of aspiring to the National Championship of Women's Futsal Institutes and save the Tameeda campus. Would Shuko manage to repeat the prodigious shot or was it a filly? Will it fit in well with your new teammates?

Fruit farmer Van Leeuwen is diagnosed with advanced Alzheimer's. His eldest son, lawyer Ernst, arranges to have him admitted in a residential home. Ernst's shy brother Nico, who stayed on to take care of dad and the farm, made a mess of it business-wise. Meanwhile traumatic memories rekindle and dad sort of organizes a riot, demanding an excursion to his orchard.

A pro-Japanese propaganda film directed by Japanese director Shimada under the Korean pseudonym Jeon-jang Do. The film is about sending guards to the border.

When Dani García, one of Spain's top haute cuisine chefs, finds himself without a restaurant, he struggles to develop his own venue, concept and menu.

Psychological thriller where a religion teacher's wife is having an affair with the school principal. Guilt feelings in the situation leads to both attempted suicide and murder.

A documentary film about a garbage collector and his views on life.

An aspiring director takes unusual path to get successful in his career as well as win over the love of his life.

What is this flame that compels Don Giovanni to seduce, subjugate and conquer women one after the other, with the fervour and cold indifference of a predator securing his prey; to pursue through his conquests some obscure and ever‑elusive objective? For his second collaboration with Da Ponte, Mozart was to brand the history of opera with a hot iron and forever haunt European culture. In this Libertine Punished, Kierkegaard invites us to hear “the whisperings of temptation, the whirlwind of seduction, the silence of the moment”. The Mozart-Da Ponte cycle continues with a Don Giovanni entrusted to director Ivo Van Hove. In the wake of Boris Godunov, the director, accustomed to examining the political meaning of works, presents his second production for the Paris Opera.

“Foolish indeed is he who marries in old age.” Thus ends Don Pasquale: with a wise dictum not lacking in irony that sums up the disappointments of its hero, a rich bachelor keen to marry who is deceived by his nephew Ernesto and his young bride-to-be Norina. First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.

This story is about a tea community’s mundane life where old chieftain Padmoluv , awaits his death and often reminisces the past controlled by colonial masters. School drop-out Chandan wants to elude the exploitation. However, young worker Sojoy, feels trapped but continues the grind. Every plant in the garden is a mute witness to the unsaid stories of their lives. In death, struggle and escape, these characters become archetype of entrapped tea garden worker in Bangladesh.

Ladies and gentlemen dressed in fine clothes sit, talk with each other, and walk in various settings of Estoril gardens.

A mystical gardener harvests fruits from the earth that defy everyone's expectations.

I try to remember what your hand felt like on my back when I was a child. And now I place my hand on yours, bent from pain. Like landscaped gardens are meant to evoke the four seasons and the cyclical wonders of nature, I gaze at you, hoping to find us one more time.

Yoko, a 5-year-old girl, on a walk with her father finds an abandoned Western-style building with a beautiful garden, into which an elderly woman is moving. Yoko is attracted to the noisy grandmother, although she is afraid. Eventually Yoko falls ill with diphtheria and spends her time in the hospital. One night she is guided by a girl, who looks into the mysterious world of her grandmother's memory. The memories of 5-year-old Yoko and her 70-year-old grandmother overlap. Yoko experiences an adventure in her grandmother's time that was neither her dream nor reality.

A propaganda film used by the Japanese military to recruit young Korean men as soldiers to defend the northwest border from possible Chinese attacks during World War II

A young journalist, Angie, is challenged to investigate a mysterious incident: the death of a transvestite by the name of Ningrum. After his death, his bestfriend Chyntia experiences bizzare events and terror.