In The Gar

When a group of five old men decide to escape from dull lives, one of them, who is a bachelor, refuses to be a partisan. However, they bring in a woman to change his outlook but things take a U-turn.

Summer 1991. The last days of the Soviet Empire. Dark clouds gathered over Moscow as the Soviet government prepared to turn back the clock of history. While the world focused on the crashing Soviet Empire, this film focuses on the people who would've been among the first to suffer repression - the women and men who have broken sexual taboos in a consummate act of liberation against a rigid, crippled world. This is a view from their vantage point, unveiling the shadow-side of Soviet culture in the wake of the revolution, where the real provocative nudity is the nakedness of the soul.

Young Belarusian lad does not want to come back to Belarus after his educational visa is over. However, the circumstances forced him to do that. He reveals his native country once again. American dream turns into Belarusian one.

Like a mosaic, the film “Our Garden of Eden” shows the everyday life in an allotment garden area that reflects the multiethnic and multicultural modern Swiss society today. People of various geographical, religious, social and political backgrounds till the earth of their respective lots here side by side, creating a microcosm full of dreams, loneliness, homesickness, joy, family tragedies, strokes of fate and conflicts. The Swiss concept of tidiness and order meets an exotic talent for improvisation, the will to integrate and respect meet ignorance. Christians and Muslims, people from nations at enmity enjoy a peaceful coexistence in the allotment gardens, sharing what seems most precious in our society today: time, attention and space. They find the path to themselves as well as a place in the eternal cycle that life is.

An artist's self-portrait problematizing the choice between tradition and the avant-garde, between being free or being disciplined.

Atmospheric story about the special connection between a savage garden, and the gardener taking care of the huge plants. Who would have thought that he forgets them on their most important day?

After his father's death, Yusuf goes to his village, where he has not been for years, and learns that a geothermal company wants to buy his father's agricultural lands and drill a well. He wants to solve problems without disrespecting his father's memory, but things don't go as he hoped.

Ramila and her father, Lokman, went on an outing to Hurxide's orchard. On the way, her father taught her to drive. Ramila had been suffering from diarrhea and relieved herself in the wild many times on the way. However, the two chatted and joked, in a very happy atmosphere, and the daughter expressed the hope that her father would find another life spouse. After a while, they arrived at their destination, an orchard run by Hurxide. In the orchard, Ramila felt that Lokman was having an affair with Hurxide , who turned out to be her father's girlfriend to-be. However, Ramila, who had hoped her father would remarry, felt a little disappointed. On the way back, Ramila did not want to sit on her father’s right to fasten the safety belt on the excuse of hot weather. Lokman sensed his daughter's mood. Just at this time, Lokman picked up a wild rooster on the road and brought it to his daughter. Night was coming, the car was driving forward, just like the endless life.

The adaption of Arthur Schnitzler's brilliant study of the moral illusion and reality in a small town near Vienna at the end of the century. - After the famous radio adaption by Max Ophüls in 1954.

Nicholas is a boy who loves detective stories, after moving into a new apartment he becomes convinced that the caretaker has murdered one of the tenants and is trying to get rid of the body.

Together with director Truong Minh Quy, a Vietnamese veteran recreates the horrors of the Cambodian genocide in naive drawings in a lush calabash garden.

You can fool everyone, you can fool your neighbors, you can fool the police... but you can't fool the ants!

The film’s story is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People’s Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her. After forty-five years of work, she is asked to retire. But Voronina does not agree with that, because she thinks that all the plants will die without her. Meanwhile, a group of mysterious radioesthesists find a channel of positive energy right in front of the entrance to the pavilion.

Close to 40 years after the war of Algeria ended, in a factory workers' garden, in Tourcoing, a city from the North of France, French and Algerian men work on their piece of land. These men were the conscripts, National Liberation Front militants or "harkis" from a colonial war led by the French republic.

The closed microcosm of garage co-ops, where the socio-economic environment has blended with personal space, provides a step back in time. Men are still boys, but their tinkering is both the trade and hobby of individual entrepreneurs, since self-exploitation as leisure time activity is a time capsule where neoliberalism has enclosed the postindustrial proletariat. Inventors, geniuses, crazy scientists, and men with golden hands - you will find them in garages.

The old gardener works all day in harmony with nature’s rhythms and the wisdom of the ancient Latvians. His happiness and fulfillment is a garden that no longer belongs to him, but he feels like it does due to his large contribution to it. He speaks to the garden, and it responds, giving him shelter and a rich harvest. Autumn arrives and there is much work, more than the gardener can handle. The young homeowners, desiring to make the gardener’s life easier, hire a new gardener. The old gardener’s love of the garden and his unwillingness to share it with anyone else leads him to make an inevitable decision to stay in the garden of his family forever. This is a poetically symbolic story about disappearing time, the land and modern reality.

Documentary telling the story of legendary Brazilian footballers Pelé and Garrincha, whose emergence following Brazil's defeat at home in the 1950 World Cup Final heralded the dawn of a golden age of football for the country. But while one man became known as the world's greatest footballer, the other died a broken alcoholic at the age of 49.

Twelve months. Four seasons. Two brothers. And a garage at night.