In Sear

A journey of a Director searching for a beach photographer who took a picture of his father in the 1970s.

"Madalena do JUCU" is a samba by Martinho da Vila, adapted from the folk song "MADALENA," sung by the Congo bands of Espírito Santo for over 70 years. The documentary unveils the universe of Congo—a genuinely Capixaba cultural manifestation still unknown to the majority of Brazilians—while presenting versions of the origin of "MADALENA" told by the congueiros

Namya, a lazy ladies tailor, wants to become rich without any struggle. He comes across a fortune teller, who tells him that he will become rich only if he marries a girl who has a mole on her thigh.

A short documentary film of 16 minutes that presents the searching phase that the director of the film went through after her interrogation and arrest by the Israeli occupation forces in Jerusalem, that phase led her into seeing everything differently, her connection with her home and the streets changed, she felt like everything around her is pushing her to leave her own city Jerusalem, but after she left the city there was something that still drags her to it, this contradictory relationship with the place made always searching, she made this film as a mean for her search in her surrounding.

Follows the search and use of solar, wind and geothermal energy in the Dagestan Autonomous Soviet Socialist Republic.

Several major robberies take place in Leningrad and the region, but the criminal leaves no trace. The Inurkollegia announces that the administrator of the boarding house "Otdykh" Balyasin unexpectedly receives a large sum of money as an inheritance, and the police decide to set a trap for the criminal, believing that he will not pass by such money. An employee of the Criminal Investigation Department arrives at the boarding house, and it soon becomes clear that the elusive criminal is one of the vacationers at the boarding house.

Documentary filmmaker Drahomíra Vihanová made a documentary Searching during the filming of František Vláčil's Concert at the End of Summer. The film was made between 1978 and 1979. Rather than a reportage, the film is an observation of the director's work. It alternates between black-and-white sequences with diegetic sound depicting the making of the film and colour sections that are silent or contain non-diegetic music, with František Vláčil at the centre of them, thinking and searching for inspiration and the ideal form for his film.

This film reveals the soul of an ordinary marching soldier, who is searching for the space of a mother's soul in his heart, looking for the goodness of a human being and its nature.