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Here meet personal memory, working knowledge, research interests and anecdotes together to vivid memory about the most important German dramatist of the 20th century. When the director Peter Voigt, former assistant director of Brecht at the Berliner Ensemble in 2004, finds a wallet with pictures and captions from the American exile, he pursued this track and discovered that Brecht has always worked with photography and film. Peter Voigt puts together an exciting collage of this film and photo material. A conversation with Erdmut Wizisla, the head of Bertolt Brecht Archives, moderated by Harald Müller, forms the dramatic bond of the film.

A documentary about director Valerio Zurlini. The "lost images" of the title are the movies Zurlini was never able to shoot: between 1962, the year he won the Golden Lion with Family Diary, and 1982, the year of his death, he directed only four features. The documentary features interviews with close collaborators (celebrated screenwriters Enrico Medioli and Nicola Badalucco) and some of his actors (Jacques Perrin and Claudia Cardinale).

Seven images, each staging their own disappearance.

A documentary about the Italian cinema as art form and industry.

"In 1991, I traveled from Buenos Aires to Germany to study film. Seven years later, I wanted to make this film: Images Of The Absence. The film tells the story of a family that never became one. My family. Images of the Absence is also a kind of diary of my journey from Germany to Buenos Aires to be able to understand the reasons for my parents' separation and for the long absence of my father. It is a film about love and the end of love, about growing old and death." - German Kral

"An emotional condemnation of the U.S.’s role in the war in North Vietnam, composed of photographs by Thomas Billhardt, this film depicts the dire living conditions and the suffering of children in the populations of destroyed villages." - Film Society of Lincoln Center

In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.

A collaboration between the Bhil artist Sher Singh and the film-maker Nina Sabnani explains one of the indigenous community’s origin myths.

Two images by unknown authors and unknown times share the war.

A young author goes to the countryside to write his next book. He runs into a boy passing through the area. The director employs exceptional visual imagery to describe the encounter between the two men.

The fourth installment in the Dark Images series, Contents include "Disappearing hitchhiker", "Hitoya driving school", "The price of car sex", "In the garbage room", "Fear of the sea of trees" and "Unreaked Stalker".

The third installment in the Dark Images series. Contents include"Phantom Doll Keppol", "Gorgeous Accident", "Yakuza Mania", "Extreme Diets", "My Teacher was Watching", "Absolute Winning Horse Racing Predictions" and "I Captured the Devil!".

Fifth installment in the "Dark Images" series. Dark sides include: "The Spirit of February 26", "I don't want to look in the mirror!', "The devastation of the prime", "The spirit in the toilet", "Seminar of happiness" and "Disappearing office".

Second installment in the "Dark Images" series. Dark sides include "Bukimi graffiti", "I like ass after all", "Human hunting", "Wiretap hunter", "Dating Tragedy", "Psychic Photography Seminar" and "An astonishing motorcycle accident".

Dialoguing directly with the trilogy of documentaries “Images of the Unconscious”, made between 1983 and 1986 and based on clinical cases and therapies with a humanist approach and artistic expression, conducted by the pioneering psychiatrist Nise da Silveira (1905-1999) – screenwriter of that film –, here is presented, in two parts, an interview with the doctor, a student of Carl Jung and a pioneer in the application of non-violent treatments for psychiatric patients, given to director Leon Hirszman, in 1986. The conversation is divided in two parts: the first, "The emotion of dealing", the second, "The egress".

walking through a city at night

Images of 1930s Stockholm.

This film moves mostly in the surroundings around the Royal Palace and Strandvägen. The environments are strangely similar compared to how it looks today. The camera is initially placed on Lejonbacken by the castle. It pans to the right over the distinguished Hotell Rydberg and the Royal Opera House. The strolls along Strandvägen are many and the cars few. People stop and contemplate the strange novelty that a man with a movie camera still is. Strömkajen's white archipelago boats in front of the Grand Hotel stand in stark contrast to the toil of the coal carriers at the barges along Strandvägen.