Images De La Libération Des Camps Chronique D Un Film Inachevé

A short film which explores various paintings from mental patients.

Jean Painlevé short film examining population explosion and decline.

The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

Tracklist: 1Achwgha Ney Wodeï*–Petit Paul 2Art & Technique–Radio City Deutschland 3Asylum Party–Misfortunes? 4Babel 17–Come Into Hell & Murder Hate 5Bernard Szajner–The Big Scare 6Clair Obscur–Statues 7Collection D'Arnell-Andréa*–Anton's Death 8Complot Bronswick–Sparks 9Costes–Belle Et Cruelle 10Dazibao–Can Ya Ma Can 11Déficit Des Années Antérieures*–25 Pièces Sont Vides 12End Of Data–Sahrah 13Étant Donnés–Bleu ...

A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.

A struggling widow and her daughter take in a black housekeeper and her fair-skinned daughter. The two women start a successful business but face familial, identity, and racial issues along the way.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

This new series tells the compelling story of the Vietnam War, from the country’s dynastic history, the impact of Christian missionaries & French colonialism, Japan’s invasion during WWII and the rise of Ho Chi Minh. How the USA’s fear of communism started a relentless sequence of events that caused American troops to go in under President Kennedy in 1961, escalating under Lyndon B. Johnson in 1965 when the nation found itself entwined in a war fought nightly on TV engendering a huge anti-war movement. By 1973 Nixon had resigned and America was forced to withdraw from Saigon on April 30th 1975.

In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.

"In 1991, I traveled from Buenos Aires to Germany to study film. Seven years later, I wanted to make this film: Images Of The Absence. The film tells the story of a family that never became one. My family. Images of the Absence is also a kind of diary of my journey from Germany to Buenos Aires to be able to understand the reasons for my parents' separation and for the long absence of my father. It is a film about love and the end of love, about growing old and death." - German Kral

Follows Chilean artist Alfredo Jaar as he finds his artistic voice and develops the socially critical perspective of his work.

This exhibition presents projects of relevance to contemporary Chilean architecture such as the reconstruction of the Pereira Palace in the center of Santiago and buildings that inhabit nature, located in the Atacama Desert and Torres del Paine, through the lens of 15 photographers Chileans and foreigners. The photographs in Winter: Images of Contemporary Chilean Architecture portray the construction and restoration processes of the architectural works presented. In parallel, these photographic images are accompanied by small screens whose content is audiovisual fragments, with records of the architectural processes. These films seek to contribute to understanding each of the architectural works even more.

A young author goes to the countryside to write his next book. He runs into a boy passing through the area. The director employs exceptional visual imagery to describe the encounter between the two men.

The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.

Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp.

Iran, January 16th, 1979. Shah Mohammad Reza Pahlavi flees after being overthrown. Ayatollah Khomeini returns to Tehran and proclaims the Islamic Republic on April 1st, 1979. In the same year, Saddam Hussein seizes power in Iraq and, after several border skirmishes, attacks Iran on September 22nd, 1980, initiating a cruel war that will last eight years. Since its outbreak, correspondent Saeid Sadeghi documented it from its beginning to its bitter end.