If I Could Just Tell You One T

Autumn 1941. In a Nazi POW camp near Kyiev, a person claiming to be a doctor appears. He convinced Germans to set up a hospital. Raising no suspicions in Germans, he supplied prisoners with weapons and helped them to escape.

While cycle touring in Normandy, a young French Canadian girl makes a striking encounter.

Erik's boyfriend Marely left him. Now, the last chance for Erik to get him back is to make this movie to explain, that the only reason he sold sex was so they could afford to become parents one day.

A Finnish woman meets a Norwegian man through a dating app. They meet in Helsinki and we take part in her experience, reflected in the city.

Within the walls of the former Green Island prison, political detainee A-Kuen, tells the stories of imprisonment and persecution happened in the 1950s in Taiwan. Among fellow inmates, frozen in time, he recounts his own experiences and those of his friend, A-Ching, who never made it out. Experience the time and place, and the waiting, in hope, for a chance to keep the stories alive.

Warsaw 1941. Gestapo captures a Home Army soldier who knows the code needed to read the list of agents working in Reich. Tortured Wójcik asks the doctors for poison.

When her father suddenly takes his own life, his four-year-old daughter must try to understand death, love, and loneliness through her mother’s strangely colorful bedtime stories.

Hum lives in a refugee camp near Hamburg. He loves films and finances his visits to the cinema by selling lost properties from cinema visits in the refugee camp. One day he meets Anna and her friend Ida. At a dinner together in the shared flat of the two, they find out that they all share a love of music. Anna and Ida can sing great together and Hum shares the contact with his friends who play in a band. A timid and touching love story develops between Hum and Anna. Both are looking forward to the first performance of the band, in which Anna now sings. But shortly before the performance, Hum is to be deported. Neither his love for Anna and music nor his imagination can save him from the everyday life of a refugee.

What would the pandemic have been like in Brazil if the government had used all the potential that the SUS (Brazilian Federal Health System) offers? What could the country's 300,000 health workers have done to combat the uncontrolled transmission of the virus? How many deaths would have been avoided if we had done contact tracing, mass testing and invested in effective prevention and awareness campaigns? How many children, wives, husbands, mothers, fathers and brothers would have lost the most important people in their lives if the president of the republic had not bet on the strategy of intentional contamination to generate collective immunity, despising vaccines and betting on charlatanism (and corruption)?

Humaira Bilkis has a problem: after a pilgrimage to Mecca, her mother, who was previously an emancipated poet, has now become devout. The filmmaker has to fight to get her to accept the camera, since her religion forbids images, while hiding her relationship with a Hindu man from Calcutta. Her film plays out like a closed-door documentary, spot-on and moving.

The plot takes place in pre-war Yugoslavia, and the protagonist, interpreted by Zvonko Lepetic, is Jefto, a prison guard who lives with his family as a tenant in a basement. The plot shows how, convinced that he is destined for great things, he betrays his family, a friend and subordinates everything to his vanity.

The Cat tries in vain to get the attention of the beloved Lady-Cat by singing, but she does not pay attention, as she is too busy watching various TV shows. The Cat decides to get on TV and perform with his song there, but he constantly gets claims - "we do not take tails", "why on earth do you have a striped face", and the last remark about "fur mittens" the Cat is angry and shows claws . After that, he is categorically forbidden for the show, to which the Cat responds with the threat of "spoiling all your television."

Hugo and Julia are two high school students that have different dreams and goals. Their lives take different paths learning that in this life, everything has a price, and everyone has to pay his own.

This European take on twenty-something woe introduces viewers to Jorge, a self-help author suffering from writer's block who thinks he may be gay. Living with Jorge is Marta, a bisexual who wants to have a baby. Included in their circle are Eva, Jorge's ex, and Alberto, a gay man Jorge meets at a New Age healing session presided over by Ines. A number of encounters ensue, Marta moves in with the piggish Mario, and Jorge decides to write a book based on his own experiences.

Home is a feeling, they say, but where is home, when you are not allowed to feel at home even within your own body and mind? As I Was Looking Above, I Could See Myself Underneath unveils intimate stories of LGBTQ persons from Kosovo, going through their unceasing search for a safe place that allows them to be.

There are days when it is better not to get out of bed. This is what our character thinks, an ordinary man who, like every morning, gets ready to go to work, but today is not going to be a normal day...

From the Magic lantern almanac. A small Sparrow that cannot learn to fly, to the amazement of its parents, instead of taking off, begins to dance Irish dances.

The open-eyed girl is waiting for the alarm clock to ring. He hasn't slept tonight. He hasn't slept many nights. Her day starts normally, but nothing normal happens. Its course changes as time passes, as the "signs" she meets on her way lead her somewhere else, somewhere far away, somewhere she will finally be able to close her eyes and rest. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.