If I Could

This work, originally shot on Super-8 was made as part of a Women and Art course at Sydney College of the Arts. Students who worked on the little experiment were: Sue Callanan, Ingrid Cullen, Ruby Davies, Sue Doust, Anne Ferran, Beth Gibbins, Pam Ledden, Kate Millington, Jenny O’Brien, Jane Parkes, Jenny Pitty, John Simpson, with extras, Eliza Campbell and Judith Lodwick.

A small town, New England girl decides to train for the cross country team, finds a lost dog, and starts to fall for a boy in her class. It's going to be a busy summer.

In this companion piece to 2015's "If I Could Talk," Ryan, who had 40 years earlier saved a puppy who became his best friend, now has recently lost his wife. This short film finds him touched by and touching another dog's life, as Ryan spends the end of his life with this new canine.

A semi-autobiographical story about borders and integration told through the metaphor of a plant. After realising her plant isn’t growing as it should, Olive leaves her home and goes on a quest to find new grounds to let her plant re-root. Soon after she embarks on the journey, she comes to realise she has to do a lot more before she can reach her goal, or at least that’s what she thinks...

An intimate love story from the perspective of someone who can't talk.

Eleven college students from different backgrounds participate in a retreat to discuss their experiences of race and racial prejudice. The circle is facilitated by Lee Mun Wah.

Stonecutters emigrated from northern Italy to Barre, Vermont, the "Granite Capital of the World." Follow the artisans and their families from quarries, workshops and schools in Italy to granite carving sheds in New England, as they seek their own identities, choosing what to keep and what to cut away from their American and Italian legacies.

Two high school kids meet in class and fall madly in love with each other. Unfortunately, His father and her mother had a history of their own between them which creates uneasiness in both of them. Also because of that, the boy's mother is very jealous and tries to separate them. The only person that tries to help them is their teacher who has relationship problems of her own.

Opera-singing alley cats. Just about every element that spells 'Terrytoon' is on display (including a bouquet of Tyer).

This is a mother who lives inadapted to a world of rigid structures: those of the system, those of the family, those of women. With neither direction nor ownership of the spaces she inhabits, on impulse she decides to abandon her children and enter the forest. In this place giant trees, waving hands and the unknown quantity of some sheets emerge that will guide her at all times. Appearing out of the atmosphere, women dressed in white will accompany her as she mourns her motherhood.

The ladies are back for more mysterious fun in this sequel to the hit comedy/mystery Porches and Private Eyes.

Friends Courtney and Reuben attempt a thirty day, 1100-mile run from San Diego to Portland, for which neither of them are prepared.

After years of financially and emotionally draining fertility treatments, Abby Taylor is so desperate to get pregnant that she secretly turns to the online, underworld of natural insemination in order to create a miracle.

Yuuri Kariya is an airhead who falls head-over-heels in love with Ryuuhei Aono after their very first meeting. Yuuri's happiness knows no bounds when Aono surprisingly ends up agreeing to go out with her, and thus she starts to enjoy her perfect relationship with her perfect boyfriend. Alas, misfortune strikes when only two weeks into their relationship, Aono tragically dies in an accident. But is something as simple as death really enough to keep the two lovers apart?

In 1922, the Swedish State Institute for Racial Biology was founded and it was merely one of the many steps in oppressing people with disability. In a journey back through time, It Could Have Been Us takes a look at the history of disabled people in Sweden, shedding light on the dark history through its journey.

It's hard to find a person whose life has not been touched by a nurse, yet how much do we know about these people we let into some of the most intimate, joyful and difficult moments of the human experience?

A coming-of-age story that identifies the relationship between a father and son who are both at crossroads with their true identities.

In As if Memories Could Deceive Me, a piano keyboard, symbol of German bourgeois tradition, is the metaphorical ground upon which Odenbach devises a dynamic associative discourse on the construction of personal and cultural identity. A haunted theater of collective and subjective memory is constructed from archival film and mass media representations. Signifiers of German history and cultural heritage — Wagnerian opera, Hitler's rallies, the Nuremberg trials, Bavarian folk dancers — are orchestrated and conjoined on the screen with male fashion iconography and autobiographical references. From ornate, 19th-century Baroque architecture to a contemporary menswear emporium, the artist traces an historical trajectory of cultural excess. Confronting his bourgeois German past, Odenbach achieves a personal history that questions the construction of identity within this cultural context.