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Out of work swing band maneuvers a gig working for a political campaign, by drawing in and entertaining prospective voters at rallies. The candidate is really a stooge for a corrupt political machine, which discovers the band's handsome and appealing singer would make a better stooge. Meanwhile, romance blossoms between the band's singers. When election day approaches, the band's singer wants out of the campaign, but the machine threatens to smear him and his pals in the band if he quits.

Once in his life, retired intelligence officer and respectable family man Nikolai Nikitin decided to go "left" ... What was his shock when in the girl he was offered in a brothel, he recognized ... his own granddaughter Varya, whom the pimps do not want to let go of their clutches. What to do? Run! Hiding from persecution, the heroes go straight from the brothel to Paris. If only I knew ... If only it were all!

While studying in Paris, Princess Oluf of Kosnia (Andree LeJon) befriends an American girl, Ruth Townley (Clayton), and gives her a locket bearing her name and the royal coat of arms. When Ruth accidentally drops the locket off a balcony, it is returned by a handsome stranger. Back home in Kosnia, Oluf wants to get married, but her choice of mate is challenged by Valdemir, the ruler of a neighboring principality (Warner Baxter).

Share the magical memories - and see clips from her Oscar winning performances - in this profile of the "First Lady of the American screen."

Hopeful that an open-ocean sailing trip might relight the spark of their passion, a troubled married couple hits a breaking point when one's refusal to explore a foreboding deserted island sends them on a deep internal journey that will soon require drastic decisions in order to survive.

The fate of a religious and a young woman intertwine when they both suffer the loss of a loved one.

The little known story of one of the worst non-combat disasters in the history of the US Navy, …AS IF THEY WERE ANGELS is a story of courage, heart, sacrifice and the heroism of miners & fishermen of 2 small towns, who risked their lives to save nearly 200 American sailors, shipwrecked on the rugged cliffs of Newfoundland. Narrated by Peter Coyote, it’s a deeply layered tale of navigation errors, courts martial mistakes, a steep loss of life, and resonates today as if the very telling of its deep humanity offers a lifeline for our fractured times.

Jean-Luc Lemoine is back for a one-man show full of cynicism and self-mockery.

A short film about a couple spending their last moments together before the inevitable end of the world. As River and Ari sit down for their final dinner together, tensions rise as they struggle to cope with the reality of the ever-nearing end of their lives. As the chaos from the outside world presses inward, they are pushed to their emotional limits. They are forced to decide if they will let the end of the world tear them apart or if they will let go of what they can’t control, so they can enjoy their last moments on Earth together.

Reeling from her father's death, romantic disappointment and the ramifications of her uncle's gambling, Günfer meets a man who's not what he seems.

"How do you know if it's love? Can you fall in love more than once? Is love blind? Can you love more than one person at a time? How important is sex to a relationship? Does love happen at first sight? Is sex love? Can you confuse chemistry with love? Is sex the real turn-on, or is intimacy? Now, for the first time, on an original videocassette made especially for you and other teenagers your age, you'll find the answers to these questions. With the help of Justine Bateman from TV's FAMILY TIES. Jason Bateman from VALERIE. Ted Danson from CHEERS. And a cast of real-life teenagers from University High School in Los Angeles. With song. With dance. With pizzazz. With advice from Dr. Sol Gordon, America's foremost expert in family and sex education. How can you tell if you're really in love? Easy. Watch this video and find out!"

A young man, left to himself, thrown out of a village, comes to a large town whe re he looks for the meaning of existence.

If You Were Young: Rage highlights the other side of post-war Japanese prosperity, focusing on the throngs of young people who missed out on the boom. We follow a group of young men that can't seem to get ahead, despite their willingness to try. Then one hits upon a plane - to work together to save for a dump truck and thus become independent contractors and be their own bosses at last. Ultimately life presents obstacles: jail for one, violence at the hands of the police for another and a girlfriend and subsequent children for the third. An early Kinji Fukasaku gem that imports the freewheeling style of the French New Wave and the hip detachment of American noir.

Filmed live in San Francisco, Janeane Garofalo takes on society’s intolerance of gluten and House Hunters International. With her unapologetic attitude, Janeane proudly states her AARP membership, her love for Febreze but the disdain for their commercials, and her disinterest in doctors.

A nun has sexual feelings for another woman.

Remotely derived from Balzac, the plot centers on Maurice Travers, who, through the self-sacrificing efforts of his mother, is able to attend college, though his love for sports and consequent neglect of his studies prevent his graduation. Madeline Marshall, an orphan living with Maurice's mother, loves him, but Maurice marries Donna Wayne, daughter of a wealthy New Yorker; and in the city they lead a carefree life. Her father insists that he support her, but he cannot. Following the blindness and death of his mother, Donna elopes with a rich suitor, and after a divorce Maurice finds happiness with the faithful Madeline.

Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving her rich - and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it's destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne's conscience. What does Jeanne want?

A realistic view of the social issues in Lebanon and Syria, where a blend of stories combine love, betrayal, forgiveness, and resentment.