I Was A Teenage Frankenstein

After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.

Agathe Villanova is a self-centered, workaholic feminist politician who, upon reluctantly returning to her home in the south of France to sort out her mother's affairs, runs for a local election. Upon her arrival, Agathe grudgingly agrees to take part in a documentary being made by the blundering duo of Karim, an aspiring filmmaker, and self-professed "reporter" Michel, on the subject of "successful women." As Agathe's life hilariously unravels, the camera is there to capture it all.

An intensive, eager adore tie together two very separate individuals. Catherine, a young celebrity, is very severe about her aspiring career. But she is overloaded by Patrick's aggressive sexuality. This idol of the slums gambles his lifetime not even close to the theater community of Catherine. They each maintain going furthering their love, not able to manage the circumstance.

A beautiful, self-centered young woman's life turns upside down when she suddenly "loses her clitoris" (i.e. her ability to have an orgasm).

Torch singer Helen Morgan rises from sordid beginnings to fame and fortune only to lose it all to alcohol and poor personal choices.

n 2018, director Marieli Fröhlich initiated a documentary about her mother, the artist Gertie Fröhlich. The director interviews over 20 artists, friends, and former collaborators whose recollections unveil the themes and the controversy surrounding Gertie Fröhlich‘s status as an artist, uncovering her influence on the Post-War Vienna Avant-Garde starting in her early 20s. As the film unfolds, these contradictions come to a head: Is the existence of the most important Austrian post-war gallery, Galerie nächst St. Stephan, indebted to Gertie Fröhlich, or was she merely the good spirit and secretary? Was her retelling of Greek myths an analogy for her vision of a refreshed matriarchal psyche — a position of equal significance to manifestations and deterritorialization of the body by Austria’s feminist artists? - New Jersey Film Festival

As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.

A mother struggles to make a better life for her daughter.

Ann, a cute video store clerk, calls a suicide hotline when her boyfriend breaks up with her. She speaks with Don, who volunteers there when he's not selling real estate for his dad. By chance, he finds out who Ann is.

After an accident on a winding road, four teens make the fatal mistake of dumping their victim's body into the sea. Exactly one year later, the deadly secret resurfaces as they're stalked by a hook-handed figure.

After an accident, a chauvinistic executive gains the ability to hear what women are really thinking.

American horror movie from 1974.

Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

Roger Blanchard has a busy life. On the family side, he is married and has two children, aged ten and fifteen. On the work side, he holds an important position at the Ministry of Culture. To bolster his social status, he has a mistress to liven up his Saturdays. But nothing is going right. His wife Marion exasperates him, his children irritate him, his job gives him no real satisfaction, his mistress neglects him and his superior, Monsieur Gambaud, gets on his nerves. But when he meets a beautiful young secretary, his life and habits are turned upside down: Blanchard amuses him and gets his way. In revenge, Gambaud warns Blanchard's wife.

An ex-tennis pro carries out a plot to have his wealthy wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway.

Nancy Vincenza Kulik, an Italian-American grandmother from Fort Lee, New Jersey, has experienced many challenges and triumphs. But she always meets life's journey with love, resilience and joy, inspired in part by another Italian grandmother, movie star Sophia Loren.

Gwen is 11 years old. As she experiences her first excitements, she catches her dog laughing.