I Can Speak

A grumpy old woman befriends a young civil servant and learns English from him. She then reveals to him her shocking past.

This time-lapse documentary follows the last years of former President Václav Havel's life, creating a multi-layered portrait of a world-famous political icon and important playwright, but also an ordinary man plagued by health problems. Havel allows the filmmakers a glimpse behind the scenes of his life, revealing purely personal moments that present him in previously unrecognised contours. With a sense of humour, he reflects on his political legacy and universal human issues. The central motif is formed by the parallels between Havel's life and the successful play Leaving, which Havel always wanted to direct as a film adaptation.

Conjuring reality and wonder, "Speak so I Can See You" takes us to a seemingly different era, by exploring the world of Radio Belgrade. One of Europe's oldest radio stations and a true institution of the city, the station still broadcasts original programming and helps keep history, culture and critical thought, as well as everrelevant questions about ourselves and the world, from slipping out of memory and mind. Set at the intersection of an observational documentary and a unique sensory experience, the film conjures everyday scenes at the station and immersing interludes exploring the relationship between sound and the space it inhabits. Through a synesthetic blend of sounds, words, notes, echoes and light, we are taken into a unique cinematic soundscape that doubles as a love letter to radiophonic art and its disarming insight into what makes us remember, understand, think, discover, and feel.

Max and mysterious boy Ash are faced with a deadly monster (might be tree) blocking their escape. In a mad dash to survive, will they make it out?

Seeing What Was Before Me Took My Breath Away, I Stood In The Moonlight, The Glow Was Blinding, As The Wind Bellowed I Felt In That Solitary Moment Like I Never Have Before And When They Lined The Streets To Spit At Me I Could Look Up To The Sky And See The End Knowing That My Final Moments Were Spent In The Presence Of Overwhelming Beauty.

The manor, which served as a guest house by the will of Mr. Adem, is referred to as uncanny in the town. Housekeeper Hasan, who lives alone in a big mansion, scares the guests with her strange manners. The greater danger that awaits guests is the visits of a ghoul from his grave to the mansion.