I 3 Volti Del Ter

Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

A documentary exploring the life and legacy of renowned Italian actor Gian Maria Volonté, featuring insights from his colleagues, family, and never-before-seen footage, highlighting his artistic journey and political activism.

Italian comedy film made of three segments directed by Michelangelo Antonioni, Mauro Bolognini and Franco Indovina. First segment: Il Provino; second segment: Gli amanti celebri; third segment: Latin Lover.

In the first story two grave robbers, thieving from an ancient Etruscan burial ground, gets in trouble when one of them tries out a ring which passes a werewolf curse to him! The second one is about a woman who wants to look like her best friend and goes to a plastic surgeon, which is the biggest mistake she's done. The third story is about three friends and a very dangerous sea monster eating its way through their camping site! The wrap-around story is set on a train where John Phillip Law plays a mystical hypnotist who claims that he can see the past of the passengers...

Two knights, the honorful Riccardo and the sinister Fosco, are rivalling for damsel Zuela.

Considered a remake of Lumière's La Voltige from 1895.

"Volti" uses archival i footage to explore the theme of police brutality and the dehumanization of victims. Through a process of visual transformation, the human faces shown undergo a sort of symbolic castration due to the abuse, losing their humanity and breaking down into expressions of pain. Each face becomes a tragic mask, symbolizing the loss of identity and dignity inflicted by a system that no longer recognizes people, but only objects to control and repress. The film ends with an eerie silence, accompanied by a sequence of images showing faces now dead and devoid of meaning. These faces, stripped of any distinguishing features, merge into a disturbing gallery that represents the final stage of dehumanization: the complete erasure of individuality.

A group of riders demonstrate equestrian vaulting, or voltige, on the outskirts of Prague.

An animated light opera. In the garden of the Royal castle, a troubadour sings a serenade for a beautiful princess. But the song doesn't fall in the liking of the subtitle, whom tries to turn the story to his desire...