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This movie depicts two distant worlds that are almost untouchable. One is a world of Balkan countries where professionals are negligent, stubborn and unreliable. The other is a world of “unbearable routine and pose of the Borganism of the European administration”. Those who receive European money can hardly cope with the administrative obligations required of them. Those on the other side cannot stand the casual attitude of the beneficiaries. What is it that the EU really wants us to change so that we can become the part of the “European family”? This film answers this question through a moving personal story. It’s the personal story of all of us.
On the verge of her marital life, a young woman makes a journey into the night to find out why she has lost her heartbeat and turned golden.
The tragicomic tableau vivant documentary "How shall we comfort ourselves." explores the endless human search for meaning. Using repurposed church buildings as the theater and everyday events as the play, we take a step back and observe humanity's absurd ways of dealing with life. From hardcore parties to yoga sessions, and from a morning mass to a gym. Hopeful coping-mechanisms we use to escape the emptiness of life. Captured within the walls of that which used to provide us with fixed frames of reference and collective meaning: the church.
This two-part film examines the plight of the working class. In part one, an elderly factory laborer goes to work in his last days before he is forced to retire. He leaves the factory life he has always known and goes home to his wife. In the second part, a young farm boy goes off to an industrial trade school to prepare for the very work the old man left behind. The old man loses his freedom by forced retirement while the young man loses his freedom by becoming a worker faced with a lifetime of factory work.
A little girl fidgets by the desk at which her father is working. Suddenly she appears on top of the table, where she shrinks to only a few centimetres in size. The scene launches into a series of surrealistic objects of her environment. She is comforted with many situations that could conceivably happen to her in the future, and they prove to be more threatening than reassuring. At the end of film we find Esther restored to her normal self again, sitting on the lap of her father.
According to the myth, when Zeus created humans, they had four hands, four legs and two heads. Later and because of their noise, he decided to punish them. Thus, he split them by a thunder bolt and since then each has been looking for their other half.
Yong Nam was separated from his mother by the war on the Korean Peninsula (1950-1953): the boy remained in South Korea, while his mother left for the North. But how can they live apart?
Hugo and Julia are two high school students that have different dreams and goals. Their lives take different paths learning that in this life, everything has a price, and everyone has to pay his own.
A prominent Chilean documentary director shares his family album with the film editor of his late works. A review of one hundred photographs and a quiet conversation will rise to memories of the films of one of the most personal filmmakers.
Rudolf is a 13 year-old boy obsessed with filmmaking. As a matter of fact, it’s the only thing he’s really fond of. His main interest is horror films, and he uses a special technique to make them – drawing each shot on long strips of paper. He shows the films on a slide projector with a special live soundtrack. Rudolf ’s story illustrates the conflict between the imaginary world of a boy and the society surrounding him, where everybody expects him to live according to certain rules and dogmas. How does he cope with it? The biggest surprise comes when the local priest asks Rudolf to make a film to be played during the service.
The scientist is immersed in observing the clouds. He counts their number, measures the distance from them to the earth, weighs the water of which they consist. The scientist does the work clearly, in good faith, honestly. But everything changes when a cloud appears that does not fit into its graphs and tables.
A rare case in Serbian history where a civil initiative gets to be recognized by the state and results in introduction of a new law, named after a little girl who died while waiting for the right diagnosis and treatment (“Zoja’s law”). This film aims to show that any ordinary citizen can make a difference. It is an adaptation of the book titled “Zoja”, based on personal experience of Bojana Mirosavljvić and written by Ivana Krgović.
The screen version of the Saltykov-Shchedrin tale about how two complacent generals miraculously found themselves on an uninhabited island. How a peasant was courting the generals, feeding and dressing them, content himself with crumbs from their table. They only slightly thanked him, but in the end they gave him only glass of vodka and a penny of silver.
Sara Parkman has, through her very unique expressions revolutionized Swedish folk music and her album Vesper proves a big breakthrough. Yet, there's something about this sucess tale that doesn't feel quite right. The devotion to art can make you feel alone, because as the fire burns strong it also hurts. Now we meet the person behind Sara Parkman's strong stage persona, as a new album begins to take shape based on a topic Sara has long avoided – love.
The story tells about how a puppy discovered a beehive and honey in it, which he took from the bees, for which he was punished. Subsequently, a bee guide appears to him in a dream, who explains to him how honey is produced and how difficult it is to produce. That same night, three naughty mice are going on a robbery expedition. It's up to the puppy to stop them and protect the beehive from another robbery.
Lydia and Vincent Lufft adopted the now 10-year-old Marie, so Vincent has better career prospects at the very child-friendly Henderson Games. But Marie forges with her friend Nick a plan: they want to fake a kidnapping to get away from the adoptive parents. To find the alleged abducted Marie Max Hoch, expert of a security company, consulted. Max himself does not want to have children unlike his girlfriend. He soon finds out that the abduction can only be faked. However, when Heinz Michelin, a friend of the family who wants to pay Marie's debt back with the reward, urges to help with the kidnapping, he brings with him two real hijackers. Max brings Marie to his unsuspecting girlfriend Karo to protect her. In the meantime, Max is himself suspected by the police to have kidnapped Marie. Only with a trap can he prove his innocence.
How did Ivan Ivanovich quarrel with Ivan Nikiforovich? Ivan Ivanovich went to his bosom friend Ivan Nikiforovich, wishing to beg for the gun he liked. Yes, it didn’t work out. And in the heat of the argument, take Ivan Nikiforovich and call Ivan Ivanovich a gander. And take it and be angry. And what happened next ... Oh, what happened!
The tea factory becomes a tourist attraction, and the lost lover gradually disappears in the dream. Kin, a vietnam returned overseas chinese tea picker, keeps searching for the echo in this quiet and lonely day...
Playboy magazine darling (and one-time playmate of Hugh Hefner) Barbi Benton is Naughty Cheerleader Lynne Keefe, a small-town, small-brained babe who gets caught up big-time in the sex business. As a high school cheerleader who can really twirl a baton back in hometown Scranton, Lynne gets knocked up by a horny hunk on a motorcycle who then dumps her, sending her into a sexual spiral that takes her to The Catskills, Boston, New York, Miami and Rome.