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Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.

Tur regrets being single until he meets a charming maiden to whom he promises a new pair of boots. He gets trapped at a witch’s sabbath hosted by the devil, who promises him a pair of boots in exchange for his soul.

A man misses his train due to his clothes turning into other types of clothes.

Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.

Vernon Robertson, founder of 'Seminar of Hope' takes us through Scripture to grow in faith, how to know God's peace and discover how God can work powerfully in the lives of our loved ones through our prayers, sufferings and sacrifices.

A robot performance by Survival Research Laboratories, staged in a Yellow Cab parking lot in San Francisco. Recorded on January 30th, 1987.

A young man suffering from face blindness and a young woman with a troubled past fall in love.

Clovis Blaireau is a private detective. It is charged by Nadège de Courtaboeuf wife knew wealthy industrialist Prosper de Courtaboeuf, to obtain evidence of the infidelity of her husband. Clovis managed to penetrate the intimacy of Prosper, and became his friend. Following diverse Clovis and Prosper adventures will find themselves in Tunisis pursued by a band of Mafioso and by members of the Front of breaking load of Couscous.

A crypto-trader and an ex-clergyman travel to Berlin to throw a sex party. Filmmaker Ayoto Ataraxia documents them and their sex-positive community with a phone during the week leading up to the event, discussing sex and life. But will they cum?

After years of attempts to win the heart of the roughest, toughest cowboy in the west, the J. Stewart girls finally decided, whilst still individually wanting the man for themselves, to help each other, in kidnapping the only fella who the cowboy wants, no, needs outa dodge, to help him in his works, and hopefully win his heart forever...

Nilüfer goes to his aunt in Istanbul for his education without telling his father. He meets Ahmet, a young taxi driver in Istanbul. Nilüfer and Ahmet will fight to be together.

Two children flee together with a grown up from a slum in Rio because this man had problems with the local drug lord. They end up in the house where a rich American citizen lives with his daughter.

In this documentary, director Tang records his own son's birth and growing up, his father's recovering from a stroke and a nostalgic trip home to China. (In the 1940's his father evacuated with the Nationalist troops to Taiwan after it lost the Mainland to the Communist in the war. It wasn't until 1980's were people allowed to go home to visit in Mainland China). From his search for the earliest memory of life, with a close observation and sensitivity, he exams the parallels of the different lives of a different time. In his previous work, "HOW DEEP IS THE OCEAN," director Tang ends it with the ultrasound image of his unborn child, representing the beginning of a new life. With this work, "HOW HIGH IS THE MOUNTAIN," it is rather a beginning of a series of questions about life and a continuation of examination of his own life and the longing of a perfect world.

Director Tang Shiang-chu first read about the Taiwanese veterans twenty years ago in the Ren-Jian Magazine, realizing that there were other people suffering the same fate as his father which a war took them away from their homes; and it wasn't after the cross-strait opened up forty years later that the remaining soldier were giving a chance to return home.

15 years ago, our colleague, journalist Anna Politkovskaya, was killed. Today, for the first time, we are telling the whole story of the investigation that we have been conducting all these years.

The film is based on a series of videos for the Internet dedicated to front-line operators of the Great Patriotic War.

The film follows a few days in the life of a young actress who has lost her sight, but who tries to be independent, also addressing the tension and trust between the protagonist and a student hired to help her.

A father takes his son to an abandoned factory where he once worked. The building has long been reduced to a crumbling symbol of the new system. Nonetheless, the space will briefly be brought to life by recorded scenes of workers solidarity, inspiring a small gesture of defiance. That symbolic act will turn into a moment of catharsis and re-establish the relationship between the father and son.

Three commentators sit in a news studio in front of a TV discussing the Tiananmen Square massacre as reported by local and foreign media. This film aims to examine the politics of image and the image of politics through commenting on the topics of democracy, media control, consumption and commercialism.

Seva, a young schoolboy, is fighting his parents and especially grandmother who want to make child prodigy out of him.