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The film “A House On 41st Street”, tells the story of a family who are struggling with a happening and the consequences after. Something happens that results to a conflict between two brothers, following by some unpleasant incidents between the daughter-in-law and Mother of the family.
Yoon-ju suffers from the hardships of her life because her husband, who lost his job, cannot find a job again. Meanwhile, the owner of the house, Min-guk, seizes an opportunity to make Yoon-ju his own and demands the rent for sex. Her husband Ho-min sees Yoon-joo and Min-guk, the housekeeper, together after sex….
Jose is a biologist who suddenly needs to return to his hometown because his mother has passed away. She left him a large inheritance with a very important message: He must accomplish the expectations she had for him in life. Jose falls in love with Estela, his teenage neighbor, whose father has serious money problems and is also terribly sick.
Hong Xiaobing Xiuxiu and Kwai Kui had a conflict over a bamboo shoot growing in the house. Under the influence of her grandmother, Kwai Kwai wanted to eat the bamboo shoots. Xiuxiu thinks that the bamboo shoots were drilled from underground by the bamboo of the production team and should be owned by the public.
At the foot of a mountain, there is a one-hundred-year-old house. Closely connected with each other, four women decide to become a real family there. In their capable hands, they build a home for women in this once deserted house.
She, leader of a religious sect, leads a group of people. All live together in a claustrophobic place. The arrival of a mysterious character changes everything.
María Estela Martínez, better known as Isabel Perón, achieved what Evita Perón never could: From an unknown cabaret dancer she became the first female president of the Americas. But after surviving prison and exile under South America’s most brutal military dictatorship, Isabel was forgotten in popular memory. “Una casa sin cortinas” (A House Without Curtains) uncovers why Isabel still haunts Argentina today.
The COVID-19 pandemic is having a devastating impact on numerous sporting activities. This film describes the hurdles company manager Cheong Wai and his assistant, boxer Cheong Lap Cheong, are facing together. With the near prospect of shutting down the boxing academy they run, how will they survive such a tough challenge?
There was a time in Argentina, not so long ago, when the army wasn't only one, official, but many and made up by civilians. In those times of courageous youths determined to fight to the death for that cause upheld around Peronism as wll as some left-wing postulates, revolutionary Cubas was a beacon of hope in the world scheme -a Montonero nation. "A House in Cuba" seeks to recover the curious adventure of a couple of Montonero parents and their small children, who were lovingly sent into exile in order for their parents to take up arms.
At the seafront garden, the members of The Worker's Youth Union and the members of fascist organization are fighting. Absorbed in their feelings Vladko and Aneto have nothing to do with those events. Things at Aneto's big wealthy home look very different from Vladko's small house huddled in the yard. Kiril, Vladko's elder brother, is anxious about Vladko who should have been at the rally, but is writing poetry instead. Aneto and Vladko are happily dancing at the school-leavers' ball. Kiril has killed a German officer. The ball breaks out. Aneto has disappeared in the confusion. Vladko goes to look after her. A group of people armed with clubs and knuckle-dusters beat him cruelly because he is Kiril's brother. Kiril has joined the partisans. Vladko is seriously ill and dies. Kiril and his comrades continue the struggle.
Misho becomes an orphan. The good people from the neighborhood take care of him until the child is placed in an orphanage. Everyone is trying to bring joy to the kid. However, Misho is searching for his mother's love in their eyes. Now the people are being kind to him, but there is always an invisible wall. Maybe uncle Elenko is the most sincere, since he shows his feelings in a tragic moment when Misho gets on a roof of a construction site. However, why does he care for Misho end with him convincing him to go to the orphanage?
Mom Shokouh is the owner of an addiction camp where young and teenage girls are forcibly brought there to get rid of addiction.
A slice of life among Russian intelligentsia on the eve of WWII. A haunting reminder of Stalin's psychotic purge of 1938 and the nightmarish German siege of Leningrad.
“The Neighbour before the House” is a series of video probes into the landscape of East Jerusalem. Shot with a security camera, these images show that before and after instrumental "surveillance", there is inquisitiveness, jest, memory, desire and doubt that pervades the project of watching. In these specific times and places, camera movements and live commentary become ways in which Palestinian residents evaluate what can be seen, and speak about the nature of their distance from others.
The director, who herself comes from a family near the Demilitarized Zone (DMZ) between North and South, explores an issue largely forgotten between the Korean War and current tensions: In the 1960s, North Korean refugees were settled here in houses provided by the Park Chung-hee dictatorship for propaganda purposes. For decades now, they have lived along the line of confrontation. The most personal border zone runs through their houses, where individual history and collective memory meet.
a silent movie by Robert Wiene
Thai horror.
A group of travelers get trapped in a haunted house.
Dawn. Through the mist, morning's early light arises. But a stronger one stands out. It's a wildfire that spreads in the distance. From her home, in the top of the mount, a worried woman faces the flames. But it's not the proximity of danger that troubles her. Inside her house, her daughter sleeps, indifferent to the smoke that enters her room.