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A love story of a couple coming from different social backgrounds set in the context of Yugoslavian reality, its social and state decline. Their quest for the meaning of life proves to be nothing but failure.
What memories do you have of your grandparents' house? A coffee on the kitchen table in a town in the small city of Alfenas, Brazil brings Miss Inês and her reflections on life. Facing her grandson.
An empty pot fell from a peasant's cart, and a Fly settled in that pot. After that, the Creeping Louse, the Flea, and the Long-Legged Mosquito pulled up, and then the larger guests arrived...
Andrei Tarkovsky said, “I find it hard to imagine the inner world of women, but I think it must be connected with the world of men…”
A child named Benjie ventures into what he considers the most beautiful entity in the world—the house he lives in—and keeps it in place with everything he could do, and everything he couldn't.
20 years ago, Suree stole Pranee's newborn daughter to impersonate her child. To defuse the story that she pretended to be pregnant to catch Chalit, Pranee's husband, and used this child as a tool to break up Chalit and Pranee. which she succeeded The stress of the child's recovery plus the pressure that her husband had a mistress led Mercy to ask for a divorce from Chalit. and declare that they will not burn ghosts again
This fact is known only to Suree and Nim, the jealous relatives of Pranee who helped plot the kidnapping.
Echoed in a memory-laden house are daily conversations between a mother and her two sons, all seemingly asleep. This autobiographical short, in a hybrid form, chronicles a personal memory from director Le Ngoc Duy's adolescence, using set design and reenactment to reconstruct his childhood home and featuring his mother’s voice as part of the cast.
A man obsesses over the empty house in front of his.
A mother, daughter and two of their friends live in an old Western-style house in Suginami. As secrets are revealed, they face challenges together.
Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.
This film centers on the construction of a traditional style house, their houses being not only very distinctive but also figuring prominently in religious ritual. The houses were rectangular and pole-framed, thatched with Miscanthus or bamboo-leaf; the doorway was protected by a skin or woven hanging and various parts of the house, such as the hearth and a window on the eastern side, would serve ceremonial purposes.
An autobiographical drama adapted from a book by Anna Maria Scicolone. Loren is the illegitimate daughter of Riccardo Scicolone and Romilda Villani, a sharp but calculating woman still reeling from the pain of a missed shot at movie stardom. Now facing single parenthood, Villani manages to rise above circumstances, but transfers her own broken dreams to the young Sophia, relocating to Rome and using the girl's delicate beauty to draw the attention of the film and modeling worlds.
This is a film about the strangely idyllic time we had during the first UK lockdown, and the media we consumed.
