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A film about a human rebellion against the death conveyor.
Francis Urquhart's survival at the top is threatened by the new king's populist agenda.
Hollywood in my Huis is 'n coming-of-age romantic comedy set against the backdrop of 2004's matric dance in South Africa. The story focuses on an ordinary teenage girl - Jana van Tonder - who lives in an impoverished railway neighborhood with her dysfunctional parents. When she witnesses Charlize Theron's iconic Oscar win, Jana is inspired to transform her upcoming matric dance into her very own Hollywood Red Carpet mooment. Meanwhile, Jana's secret cursh, Brandon, the school's tennis champ, breaks off his relationship with Angelique, the school's most popular girl. But just as Jana needs to scrape together the courage to ask Brandon to the dance, her best friend and boy-next-door, Frikkie, reveals his true feelings for her. With the matric dance less than a month away, Jana has to make the difficult decision between her closest friend and her dream date.
Erotic suspense where a young woman is confined and insulted in a share house.
No. 13 Baochan Hutong in Beiping was originally the residence of King Zheng of the Qing Dynasty, and became one of the top ten murderous mansions in Beiping due to the unexplained deaths of its occupants from time to time. A couple from Shanghai rented the house, and the old man on watch told them the story of the old house. When the Eight-Power Allied Forces invaded, King Zheng's father was dragged to his death by a foreigner's horse for not letting the foreigner occupy the mansion, and since then there have been strange happenings in the mansion. Zheng Wang's son, Weng, was not doing his job, and Zheng Wang could do nothing about it. On the night of the ancestor's memorial service, King Zheng died of spasms in his arms and legs. After the Republic of China, Weng was forced to sell his house, his mother hanged herself, and his sister fell into a brothel, where a warlord general bought her as a concubine, but abused her all sorts of ways.
Rara, a lonely 8-year-old girl, wants a small window in her hut located in the slum area of Menteng Pulo, Jakarta. Mbok, Rara's ailing grandmother and her father, Raga, do not have enough money to buy the window. So Rara and friends busk for money in the streets or rent out umbrellas on raining days. Meanwhile, in a luxurious housing complex in Jakarta, Aldo, 11-year-old boy, and does not have any friends. Neglected by his rich father, Ratna Syahri, his grandmother, Nek Aisha, is his only comfort. One day, Aldo meets Rara when the car he is in, grazes her. They become good friends and she is the one he turns to when he flees from home after a quarrel with his brother.
As their shared wealth disappears, Elisabet’s love for her husband Richard also evaporates. She leaves him and finds a new husband with his finances in order. When the new husband subsequently leaves her and her daughter falls ill, Elisabet understands she is at fault and asks for Richard’s forgiveness. However, he’s been hiding in Italy and doesn’t respond to her inquiries. But then everything changes when a young woman from the past suddenly comes knocking on his door.(stumfilm.dk)
A stranger named Constant disrupts the life of Flora, who is seemingly happy with her husband Lucien. But she suddenly experiences a passionate love, taking refuge with Constant in a cave they call “home under the sea.”
The story of a woman who lost everything.
An old man builds houses to protect his home.
Voices that take shape in memory, an empty house, a piano that is now missing. Vivian Forrester said that for Duras, the act of speech to achieve was love in its whole or absolute desire. The one that can be silence, or singing, or screaming. It is what governs memory and forgetfulness, suffering and hope. This video essay proposes a dialogue between two films: Morir... Dormir... Tal Vez Soñar (Manuel Mur Oti, 1976) & India Song (Marguerite Duras, 1975). On the one hand, to claim a beautiful forgotten rarity of Spanish cinema and on the other, to claim that cinema, after all, is a house with many voices.
Ambitious architect Victoria has carefully designed her life. She is bringing up her daughter as a copy of herself and hardly notices anything outside her ideal world. The next step for self-realisation is a project that should bring her long-awaited recognition. But during the inauguration, her daughter disappears. The police are convinced that Alisa is involved in drug trafficking. For help, Victoria is forced to turn to her ex-husband, who works for the police. Their visions of the tragedy differ, and over time Victoria begins to realise how far her daughter has actually drifted away from her. The ideal relationship with her daughter, based on mutual understanding and frankness, is a bubble that bursts. Victoria is confronted with the real world and begins an investigation, although she doesn’t want to lose her reputation as well. In a vacuum of loneliness, under pressure from society and her ex-husband, Victoria risks her life to prove her daughter's innocence.
Director Bahman Farmanara's second film following a 20-year exile from his native Iran depicts the spiritual crisis of a middle-aged man. In the film's dreamlike opening scene, Dr. Reza Sepidbakht (Reza Kianian), a well-off Tehran gynecologist, thinks he runs over an angel while driving home at night with a call girl. The next morning at the hospital where he works, he is shown a comatose boy who is famous for having memorized the entire Koran. These two events cause him to rethink his cynical outlook on life and his relationships with his elderly father, wayward son, and the women he has mistreated since becoming estranged from his wife. When the boy awakens from his coma, Dr. Sepidbakht begins to look to him for answers.
A family moves into a house. The handyman's son tells the brother and sister there is a family of vampires sealed up in the basement. After freeing and befriending the child vampire, he uses his vampire magic to take the daughter and the handyman's son into a comic book to save a princess from a cannibal witch doctor and tribe. The witch doctor (Wu Ma) changes into the monkey king and Dracula, among others. The kids counter with their own transformations. For instance, when the witch doctor changes into Jesus, the kids chase him with a crucifix. Meanwhile, in the real world, the vampire parents are hopping around trying to find their son.
The film follows Dina, a young Russian girl from south Israel, who cleans toilets in her town's central bus station. She falls in love with Yehuda, a Tel Avivian charmer, and moves with him to the big city. Little does she know that he is nothing but a pimp who recruits young girls for the sex industry.
When a pair of estranged Israeli sisters—one who stayed at the childhood home to care for their debilitated father, the other who left for a new life in Tel Aviv—are reunited, they must come to terms with the circumstances that tore them apart.