House Of The Dragon Streaming Vf Episod

The only thing keeping Harold's family bound is his unconditional love for them.

He lives alone. He has nothing but a small house at the road. An old man loves to seat at the threshold and smoke a pipe. There are no neighbors for many miles around. Guests at his house are rare occurrence. But once a big black jeep appears near his house...

After many days of pursuit, Jayakrishnan finds a house in a distant land. He bought the house for an affordable price. But the locals bad-mouthed the house and there were many stories doing rounds. Jayakrishnan shares these superstitions with Mohan, his only friend in the area. They mock the beliefs of the natives. But what happened that night was unusual.

A group of filmmakers realizes that their surroundings is way more horrifying than the horror film they're trying to write.

Having left the secrets of a troubled past behind him, Peter has a new life ahead of him. He has a nice girlfriend and a good job working at a green house. But all this is threatened when Peter and his girlfriend meet a strange man at the supermarket and Peter's past slowly comes to light. Peter is forced to decide: should he hide is demons or should he open up and tell his girlfriend the truth?

Gunawan moves his troubled family (including an adulterous wife) into a new Dutch home that comes complete with a hidden treasure and ghosts.

Architecture is not a static but a dynamic, living thing. Similarly film is highly suited to represent and experience architectures as spaces, as stages for human encounter and interaction. In this series of short films architecture becomes animated, even transformed, with social input. Similarly it serves to animate its viewers/occupants -- architecture as stage and actor both. (Good) built projects in Slovenia generally follow a well-thought and focused approach and execution. They are, relatively speaking, of modest size. They are small not in scale nor ambition -- but small as in contained, disciplined, intelligent and specifically responsive. With room for a smile.

A celluloid film based on Hiroyuki Kakudo's paper animation of the same title (1981).

The film tells the story of SAAL, Local Ambulatory Support Service (1974 - 1976), a movement launched after a revolution by a group of architects who responded to the struggle on the street by the poor residents who in the hot summer of 1974 shouted "Housing Yes! Tents ni! ".

This TV documentary recounts the fact that residents of Beijing's old quadrangle refused to move during the process of rebuilding the old city for urban development. This film focuses on the balanced relationship between residents, associations, companies and countries.

Over the two and half years that he spent in the Casa de Santo Antonio in Lisbon, Philippe Costantini followed the arrivals and departures of very young mothers, from their pregnancy through to the first years with their child. At the centre of this small community of teenagers and their new-borns, the exclusively female staff see to it that the residents, whose family situations are chaotic, obey the rules. Keeping off-screen an often-mentioned violence, the film focuses on the daily lessons in mothering. What then emerges is everything that cannot be taught and which creates a fine dividing line between having a child and becoming a mother.

Woman unexpectedly meets Satan in her attic.

The film´s title designates a luxury housing block in Moscow, built around 1930 for Stalinist officials. This is something we cannot see. Not really. But somehow, we can, because we are being shown the interior and the roof of an empty-looking building: dark stairways, rooms, corridors and halls, along with glimpses of a metropolis at night in the background. Most of all, however, this film shows vibration: it is vibration. A phantom-like figure (in the end there will be two) moves through these spaces ditheringly, attached to bright filaments reminiscent of a gigantic web. Vibration pervades everything we are being shown here – all of the house and all of the image. It all jerks in a stop-motion-like non-movement caused by changes in the lighting.

Our coincidental meeting with the writer’s granddaughter sparked our interest in a cardboard box. Inside it there was a treasure of old letters, newspaper clippings, personal documents, and half a dozen canisters of super 8mm film. Fifty years after his passing, his granddaughter Christina shares with us Stratis Myrivilis’s poetic inner world.

Having saved money for a summer cottage and having chosen a suitable house, the couple of Petrovs decided without hesitation to enter into ownership rights. Right from the savings bank, the wife goes to the garden plot, and the husband has to pay the owners in Moscow. However, a thick bundle of money disappears from his pocket ...

The roofs of the three houses rise like hats. Three grim faces appear beneath it. They're glued to the walls. A colorful man with a small house on his back wants to settle down next to them. They push their dogs against him. One person-house is dying. The other two watch his funeral with indifference. Lightning sets fire to the second house. The neighbor doesn't help. Past the last man-house passes the colorful man. The man-house wants to go after the colorful man, but his feet are tied with a chain.

In the 1970s, in the midst of a military dictatorship, composer Jards Macalé and filmmaker Luiz Carlos Lacerda (Bigode) shared a house in Rio de Janeiro - which became a center of convergence for musicians, filmmakers and writers, and where they performed classic films and songs of Brazilian culture.

The story of a family told through objects found in junk shops and flea markets.