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Indian village experiences forced relocation; their experience is paralleled by that of other groups dating back to the 18th century.
A film by bahman kiarostami
Actors and crew arrive at the actual Hinsdale House in upstate New York and prepare to shoot a horror movie over the next few weeks. The owner of the property offers a very real warning of the potential dangers of such a project but the filmmakers are adamant. Before shooting can even start the cast and crew are subjected to the very real evil that occupies the house and surrounding woods first hand.
A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”
In a village on the French-Belgian border, a smuggler named Sylvain falls in love with the pretty Pascaline, which infuriates Germaine, his mistress. The jealous woman reports Sylvain to the police. As a result, the young man gets hurt during a night chase. Fortunately Pascaline offers him hospitality and looks after him.
Four people from an Arab generation roaming over the ruins of ideologies, causes and virtues of their predecessors. It portrays their intellectual and emotional nonchalance about what is happening around them in their daily lives and relationships. In a house whose architecture is a sixties' experiment in mixing modern and Islamic architecture, a stone and concrete cube suspended over a rocky shore bashed by the waves of the Mediterranean, by famed Iraqi architect Refaat Chaderji, we spend a night with four characters whose non-stop conversations and peculiar actions reflect the void and chaos they are living in.
The women of a brothel adopt a foundling baby.
TI-PRI (The Mud House, 1972) is a poetic homage to subsistance farming in Brittany and at the same time a militant warning against the loss of Breton culture and language. When the film screened in Oberhausen in 1973, resistance against the oppression of minority languages and cultures within centralized France was at its peak. TI-PRI was director Philippe Cassard's first film.
September evening, an unusual ark house, resembling a ship in shape, for its owner, the gray-haired old man, captain Châtover, sailed the whole life through the seas. A strange house where people behave differently. Young beauty sisters reign in this house, beckoning true gentlemen, as the light of a lamp beckons moths. This house fences its inhabitants from the outside world. Talk about the meaning of life, home entertainment, hopeless novels. And a premonition of trouble: at the same time, clouds of the First World were gathering over the good old England ...
An archaeologist returns from Spain. Living alone, he goes about his daily rituals. A haunting leads to tragedy, raising further questions of the man’s life.
AM remembers, maybe she dreams, and days and nights follow each other. The House in the Woods gets crowded with mysterious visitors while a Little Dragon moves tiny, unsteady steps out of the darkness of memory. The humanist vision of Anna Maria Ortese echoes through the collective dream of the guests of a drug rehabilitation center.
In the small town of La Chaux-de-Fonds, Switzerland, a collective of artists is being evicted from the house where they have been squatting for six years. Having only a month to find a solution, they decide to ask a new place to live directly to the State.
Young Lieutenant Jeff Gordon is placed in an English town and he meets his loved one Mary. When the war starts in Africa his regiment is being sent to the desert.
After my father's sudden death, I find old photographs while organizing his belongings and visit the houses in the pictures. Through this journey, I bring back the trivial secrets of my family and my forgotten childhood memories. Those memories expand to collective memories of my neighborhood and spaces in Gwangju.
Lasting over thirteen hours, Claerbout's film shows two men engaged in a discussion against the back-drop of a neoclassical house in southern France. An act of violence is repeated and re-enacted more than seventy times over the course of the film. Dissolving the boundaries between photography and film, Claerbout’s work puts into question the reassuring stillness of photography and the inevitable narrative progress of the cinematic image.
Teens set out to improve the lives of their fellow villagers. To achieve this, they combine their ideas and talents and start filming short videos about everyday life in their village. As they discover the power of TikTok, they realize that their village is the key to their success.
After her parents' death, a young woman moves in with her unsophisticated country relatives with unfortunate results.
The Matusita house has been abandoned in the center of Lima for 50 years. A haunted house where all Lima's accidents are said to be housed. Some upper-class people around a dinner table bet, the loser has to spend the night in Matusita. It will be a meeting with the sorrows and dreams of the Peruvian people.
The blossoming young love between two teenagers is brutally disrupted by retreating Nazi soldiers who occupy their small village in rural Italy.
One day, the girl came by chance to the city where she was living in her childhood. Everything had changed markedly since then. the heroine was captured by memories. she found her street, her yard, her old abandoned house...