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This is a film about the strangely idyllic time we had during the first UK lockdown, and the media we consumed.
Once upon a time there was a house that did not bother anyone, but there were always residents to complain.
Yoriko wanders in a forest and ends up in a mansion where a man who studies parasites and his three daughters live. Yoriko learns from the girls' mother that she looks exactly like her, and she is asked to work as a housekeeper and begins living at the mansion, but...
A follow-up to Nenek Lampir ("The Possessed Grandmother"). Rusimini is possessed by the spirit of her baby that she abandoned after birth and finally dies a tragic death. Her "imperfect" death (without peace) is used by the devil to wreak havoc. People are influenced to commit sin and then murdered, as if that is the only way for a "perfect" death to be achieved. To stop the wave of evil, Kyai Abdullah, a religious teacher, arrives to drive away and placate the evil spirits with peace.
Ayako Miyafuji, a rookie actress, was taking part in a film shoot at a countryside mansion. However, due to nervousness, she is unable to perform well and is abused by the director, Sendo. Mayama, a recording engineer, is worried about Ayako and treats her kindly. With little time to spare, the filming proceeds in a bleak atmosphere, but then Ayako sees a hand behind a sliding door that is not supposed to be there....
Chinese horror movie from 1948.
From Brazzaville to Barcelona, a journey around the world in search of unique and diverse voices with the purpose of celebrating the collective dimension of life through words, music and the movement of bodies.
Straight to video horror/comedy directed by Minoru Kawasaki
Miku (Yui Kawagoe), who is deep in sex, was a virgin without connecting her lover Otake and her body. There was always a undershirt woman beside Miku. In fact, the undershirt woman was Miku's aunt, the spirit behind her, and she who lived in the Edo period was a sexually greedy and free-spirited woman. However, such a personality was so bad that he was not blessed with a man, and he came down to the present life to fulfill his feelings of pleasure through his offspring Miku. One day, Miku, controlled by the aunt of the spirit behind him, invites Otake to the night of his first experience, but when he reaches a good place, he gives up because of the pain. Then, Otake gets angry when he gets angry, and the two become catastrophic ...
Yasemin hits her sister's face with the comforting lie they believed at her uncle's funeral. He knows he cannot heal, so he will stop treatment and will not torture himself. The sister, who refuses to accept this, realizes that she is struggling with the sense of ownership after a while. Her dilemma will be resolved with Yasemin and her relationship with the cactus they picked up from the funeral home.
A close look at nature.
After the collapse of the Soviet Union, Natasha immigrates as a child with her family to Germany. The film begins today, twenty years later, when Natasha returns for the first time to her unknown home. Natasha's time in Baikal Port is mainly structured through her everyday encounters with the people who live there. In different situations, she meets them and gets into conversations about employment and living conditions that are still marked by the effects of the Perestroika. While Natasha gains these intimate insights into different ways of living, she reflects on her own position and tries to make a connection with this place, which is a part of her identity. The cinematic drawing of intimate portraits of people living in Baikal Port as well as Natasha’s play- acting as a returning, identity-seeking figure is accompanied by an ever-present recording camera.
My Small Doll House features a woman’s fear, fantasy, and anxious psychology toward the world by contrasting a doll and a girl playing with it in a box. The small box is a safe place hidden in her deep conscious world, but she must open it and step out of the world.
The story of two youngster girls who became the victims of female genital mutilation.
Ofelia is painter who struggles with her work as she lives in a stagnant relationship with her husband. The fact that he goes out everyday and she stays inside without being able to paint, only makes her feel more alienated. But one day she recieves a strange phone call, which will make her face the inner conflicts she’s trying to hide.
