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A group of boys are hunting for treasure supposedly hidden in a ruins of the old marble house.
Professor Hermes conducts a research on fear, for which he passes contract with a patient to live a supposedly empty mansion. He's counting on his assistant Chico Mota to play a phantom, but soon comes about that there are phantoms (plural) in there.
The money worshipper Wan Jincheng runs a mysterious master house in Las Vegas. Legend has it that he possesses the psychic scepter of the Indian family from ancient times and has the ability to control the heart. Financial giant Shang Guanjing found Wan Jincheng and entrusted him to rescue Shen Xiaoyu, a daughter of the upstart who was under house arrest by the upstart Dong Geqiu. After Wan Jincheng rescued Shen Xiaoyu, he found that this rich lady was actually a wonderful girl and suffered from severe difficulty in choosing. The two accidentally triggered the soul scepter in the process of entanglement to lead to soul exchange.
Carlos sleeps rough in an abandoned structure made entirely with walls of glass. He’s well known, and liked, by the locals, but addiction throws a shadow over everything.
Ahead of the age of 30, the second daughter, Jin-young, who is still preparing for employment, a blunt father who is more comfortable resting in a folding chair in factory than at home, and the mother is the only one who ties this incommunicative father and daughter together. One day, the accident suddenly kills the mother, and only the father and daughter remain in the spacious house where the three families lived.
Robert Peroni founds The Red House, a refuge that helps the Inuit population.
On the outskirts of Tokyo, a family of Mitsu Nakahara lives in one of the small huts surrounded by barracks and tin pens. Mitsu's husband died in the war, and she was left alone with four children and works as a day laborer. The eldest daughter Haruko, who is already nineteen years old, works in a clothing store, the second daughter Natsuko works in a restaurant, a schoolboy Akio is studying carpentry, and even the youngest Fuyuko helps her mother by working as a nanny in a neighboring house. Nearby lives a widowed electrician Tokuji Yamada with two boys - Norio and Tatsuo. He has a widowed daughter, Sakiko, who, along with a small child, ran away from home, as she is going through hard times. At Haruko's suggestion, Mitsu and Tokuji get married, and it would seem that happiness smiles on their new family, but it turned out to be short-lived…
The devastating Chilean earthquake of 2010 damaged over 370,000 homes. The city of Talca was near its epicentre, leaving many historic neighbourhoods in ruins. CASA ANTÚNEZ is an intimate portrait of one beloved home in Talca, and how its destruction reveals a divided family. When the mother sells the adobe ruins to her architect son José Luis, his brothers and cousins are sceptical about his intentions. Over three years, we witness their psychological process of losing a childhood home as they confront the future of its land. CASA ANTÚNEZ is a poetic homage to the very notion of ‘home’ after a disaster.
Borinage left Henri Storck profoundly disturbed by injustice and social poverty. When he was offered a chance to make the film he undertook an in-depth survey into the working class and slums and shouldered his camera as a militant filmmaker. In a plot of Walloon slums he staged characters and situations as examples. All shots work on intensity, the filling of the frame, which gives the impression of being unable to breathe, of being trapped, closed in. And in the face of this overflowing misery is the emptiness of the expressions, the absence of emotion. Survival is all. But the message of hope is there, with the destruction of slums (the hovels are demolished as if getting rid of a tyrant) and the construction of garden cities surrounded by trees in bloom and a future of song, leaves one with the impression that man’s dignity has been safeguarded.
Thai horror film.
Bamako. Several women are illegally evicted from their home in 2008. Their brother, Souleymane Cissé, takes up his camera to look back at his childhood and family history in a country heading for war despite a tradition of tolerance.
When Xiao Bang returns to China after studying abroad, he starts a debt collection business with two friends. Their methods are unconventional, a style somewhere between gangster, intellectual and hippie. Dong Rui, the classmate of Xiao Bang’s 11-year-old brother Liu Dun, thinks he’s dying. In exchange for 100 yuan, Dong Rui asks Xiao Bang to help him scare off his love rival. The 100 yuan note travels from hand-to-hand in the neighborhood, drawing a vivid portrait of the community.
The proprietors of a small inn on the Italian coast suddenly have to cater for a company of conscripts on their way to a nearby port. One of the sergeants recognizes Resa as a former "camp-follower". When her husband hears of this he becomes insanely jealous and decides to join the company.
A man who lives in the last house standing at a development site contends with the onslaught of destruction.
Julia is supposed to see the forest house her husband bought for the family for the first time today. Joyfully excited, she buys gifts. Unfortunately, luck is about to run out on this day as well.
A story of a four sons of a big Ivanov family who are trying to start their own independent life.
"House in the Lake" takes a look on an oppressive and intimate family. We follow the holidays in their remote summer house, the every day and the fragile normality, where the three kids absorb and partially channels the emotional energies of their parents.
An artist, scarred by his mother's suicide searches for God, but he tempts death with his drug addiction.
Produced for newly independent Sakha television in the early nineties, Summer House is a pioneering document of a film culture in the making. The directorial debut of actor Anatoly Vasiliev, who also stars, the film tells the seemingly simple story of a man returning to his native village to purchase a house, only to find himself caught between the worlds of the living and the dead. Drawing on deep wells of Sakha spirituality and folk symbolism, and cast with local, non-professional actors, Summer House is a rarely-seen gem of independent filmmaking and a key piece of Sakha film history.
"Horror" film about the harsh lives of the children living in an outwardly prosperous orphanage. When a young boy dies during a clandestine mutual drug-taking session, his accomplices unsuccessfully try to hide his corpse to evade punishment, and then the orphanage management tries to hush up the whole affair to keep up appearances.