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Tottie: The Story of a Doll's House is a 1984 animated television series. It is based on The Dolls' House, a children's novel written by Rumer Godden originally published in 1947, and focuses on the toys living in a Victorian Dolls' House belonging to sisters Emily and Charlotte Dane.
The whole series had a very dark edge as the dolls had to wish very hard that good things would happen and they would not fall on misfortune. The series started with the phrase "Dolls are not like people, people choose, but dolls can only be chosen".
Iori Igarashi works as a radiographer at a general hospital. He has been depressed, because An Amakasu, whom he loves, has decided to travel abroad to Washington Medical University to learn more as radiologist. The members of Radiation House encourages Iori. One day, An learns that her father is in serious condition. Her father was the only practicing doctor at a small clinic on a remote island. When An arrives, her father tells her to be a doctor who sees patients as a person and not a disease before he passed away. An decides to stay on the island because of a patient that her father cared about. A massive typhoon soon hits the island and a landslide then occurs. An unknown infectious disease spreads afterwards on the island. Iori knows that An is struggling on the remote island and he makes a decision for An and the residents of the island.
Evil wreaks pure havoc and bloody murder upon Leslie Van Hooten, a beautiful young girl, and her unsuspecting fellow grad students as they make their way to her family’s extravagant and yet isolated estate.
Ismail Yassin and his relatives have to spend a month living in a haunted house in order to collect their inheritance.
Three young hobby archeologists witness a satanic ritual in a secluded villa. Instead of helping poor female victims they decide to secretly document the events.
The events unfold from 1924 to the present day. Almost the entire epoch is involved, with all the historical characters of our country. The picture is a drama of a Jewish family, which the viewer will follow for 100 years, with the change of epochs, the characters and everything that happens around will change.
A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.
Farel, Oscar, and his friends, who live on the NTT-Timor Leste border, join the areca climbing competition. But instead of being united, they argue which prizes should be taken first. They fail and then blame each other. The problem becomes more complicated when two cans of Farel's red and white paint disappear. Afraid of being scolded by his father, Farel, Oscar, and his friends try to raise money to buy paint. They learn that there would be another areca climbing competition with a red and white paint prize. In the race, Oscar falls and hurts. This is the story of Farel, Oscar, and his fiends to celebrate August 17, the independence day.
Aysel, while working for the strong Satilmiszade family, is seduced by her boss and becomes pregnant. Giving birth to the child, she applies to the court for alimony, but the father rejects the child. Ali, from another village is concerned with her situation, and he offers her a job: to accompany his disabled mother.
Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof.
Aurora is 25 years old. She plays frantically in an arcade in order to win a giant teddy bear that costs 3200 tickets. She can’t stop because that would bring her back to reality, to what happened the day before and the reason why she was in the hospital. If she wins the teddy bear, everything will be okay, the wound on her arm will heal and she will be safe. But denial is only the first stage.
The life of a couple is observed through the home they have left behind.
On the riverside quay of the enormous container port of Lisbon two old decaying sky-blue painted buildings are located directly opposite to each other. One is closed and abandoned, the other inhabited by the two bright and inquisitive girls Ana and Matilde. Watching the closed building every single day and night the sisters get more and more suspicious. Strange phenomenons and movements behind the thick blue walls increase their curiosity. How is possible what their children`s eyes are witnessing? Who are those mysterious neighbours? How to discover old house`s secret?
On the eastern side of Guwahati’s historic Latasil playground stands an iconic Assamese house that completes a century of existence in 2023. Constructed by engineer Chandranath Barua, this house has been home to some of Assam’s most famous icons, such as filmmaker-actor-musician Brajen Barua, filmmaker-footballer-flautist-painter Nip Barua, singer-turned-composer Ramen Barua, filmmaker Dibon Barua, cricketer-turned-singer Dwipen Barua, cricketer-pilot-entrepreneur-politician Girin Barua and radio broadcaster Niren Barua. The Baruas are surely the only family in Assam, and perhaps in the entire India, that have produced so many noted personalities in fields as diverse as cinema, music, sports and politics. This is the story of ‘The House of Baruas’, reconstructed through memories, archival film clips and photographs. A house that is now facing an uncertain future.
A silent movie by Rober Wiene.
It tells the work and love story of 6 men and women from all over the world living in a luxurious global share house in Seoul in YeonNamDong, and their stories of life, love, and friendship.
Condensing the life stories – memories of prison in Silesia – related by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing. Contagious savagery, cruelty and brutality are exacerbated by the confines of the prison. However, within its concrete walls emerge both tenderness and cruelty at the sight of an injured bird; a multitude of stories and highly personal monologues. With this production, first performed at the Wiener Festwochen in 2007, the Paris Opera pays tribute to Patrice Chéreau.