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"House of America" is a 1997 film directed by Marc Evans. The film, set in a depressed Welsh mining town, centres on a dysfunctional family unit of brothers Boyo and Sid, their sister Gwenny and their controlling mother. The film tackles issues such as Welsh identity, its need for indigenous heroes and the nation's perceived inferiority complex.
President Bill Clinton and First Lady Hillary Rodham Clinton discuss life in the White House as they lead a tour of the residence. Also: the arrival of the Blue Room Christmas tree, and a Presidential message of thanks.
In 1970, United Mine Workers of America (UMWA) president W.A. (Tony) Boyle was under indictment for union funds misuse and suspected of murdering outspoken union reform advocate Jock Yablonski and his family in 1969. The film intercuts Boyle’s speech at a Big Stone Gap, Virginia rally with mining scenes and interviews with miners from the UMWA.
A short documentary on the history and programming of the Walter Reade Theater.
A group of friends move into a vacation home with a sinister past in Fall River, Massachusetts. Suspicious of the home's owner, Taryn feels a strong connection to the house and finds herself at the center of one of the most deadly poltergeists in American history.
In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.
On a shady side-street in Koreatown, a diabolical woman (Dawna Lee Heising) lures in beautiful homeless girls, junkies, speed freaks, illegal aliens, and the average ex-high school prom queen, simply down on her luck. It is in this deadly house of shame that these new victims will be enslaved, and sold on the flesh market.
