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The second play, O Homem I, is about the vigorous embrace of the winner, the Celtic European Colonizer, copulating with the defeated, with the slaves from the ships, forming the "Typeless-Brazilian" type. Mixtures of all kinds find their space in the stage in the surprising miscegenation already present in the cast and crew of Teatro Oficina itself. It is the story of the Brazilian Man, the Man of the Country abroad interbreeding with the Country inside, until the Revolt against the very idea—imposed and imported—of man, with the appearance of Zarathustra Antônio Conselheiro.
Renata lives isolated in the countryside with her teenage daughter and her husband, conceiving fear as a common feeling. The arrival of a stranger awakens in her the desire for all that was asleep.
Carlos, a married lawyer, gets involved with one of his clients. But the relationship turns into an obsession. The woman understands she'll never manage to separate Carlos from his wife, and decides to leave him, running away with another man.
The documentary tells the story of Júlio César, a young Afro-Brazilian who was executed by the Police in the 1980s in Porto Alegre. The crime became notorious when the press published photos of Julius being put alive in the police car and arriving 37 minutes later shot and dead at the hospital.
Dedicated to "the creation of an heroic and anti-heroic attitude of those that go to war and say: Farewell Man!," the theatrical version of the second movement of the second part of Os Sertões presents the passage from the re-volted man to the trans-man, creator of an alternate possibility for human adventure on Earth. From the story of Antônio Conselheiro, all theater relives its seminal death: a common man who, out of love, transmutes into an anti-messianic leader, gathering a legion of "sertanejos," roots of solidarity in the inlands of Bahia who, in a community effort, raise dams, churchs, and cemiteries. The community had at one point 25 thousand inhabitants, in its days the second largest city of Bahia. Capuchin Friars attempted to disperse the people of Canudos "diplomatically." Their denial to obey the official religious order led the Evangelist Friar to damn the followers of Antônio Conselheiro in the name of Jesus. The City prepares for war.
Arrigo Barnabé, a prominent figure of the Vanguarda Paulistana movement, takes center stage in this experimental film, which delves into his formative years in Londrina before he established himself in São Paulo. Through a blend of auditory and visual disruptions, director Rodrigo Grota presents glimpses of the aesthetic subconscious that permeates the artistic and musical endeavors of the mastermind behind "Clara Crocodilo".
The trajectory of Nelson Prudêncio, the black boy from Lins, who became an athlete only at the age of 20 and became one of the protagonists of the epic final of the triple jump at the Mexico City Olympics in 1968, the biggest that the sport has ever seen.
A documentary about the life and the importance of Brazilian musician and symphonist Cláudio Santoro.
How long will it take for nature to take back its place?
In a blank space, a barrel organ suddenly chokes and plays on its own. The player with pin-tipped feet, now free from playing, may start a dance that makes him see what he couldn't listen to anymore.
A directionless young man asks his nun sister to come with him visit his father.
A man reminisces about his old neighborhood after moving away, remembering especially an old man who used to sit by his window feeding the pidgeons.
