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A bloodstained Nicaraguan flag, a jacket full of memories, necklaces that are rarely taken off- gifted by family members, shoes that dance, a Tibetan sound bowl that brings peace and healing – all feature in this DCU Irish Refugee Integration Network short film.

A compilation reel of 16mm home movies filmed by Cab Calloway during a tour of South America, with both Kodachrome and black-and-white film edge codes indicating years of 1950 and 1955.

Compilation reel of 16mm color home movies of Cab Calloway and his family in Long Island, New York at Easter. The film also has footage of Calloway's tour of South America in 1951 including carnival and beach scenes in Montevideo, la Plaza Independencia, a horse racing track in Rio de Janeiro, and an airport in Puerto Rico.

16mm silent color film shot by Cab Calloway during his 1951 tour in Haiti. This film features footage of Cab Calloway and his band performing on an outdoor stage, the local townspeople, a local Haitian pottery market, and the Presidential Palace and Holy Trinity Cathedral in Port-au-Prince.

A 16mm black-and-white, silent home movie film by Cab and Zulme "Nuffie" Calloway during a tour of the Caribbean, with film edge code indicating a year of 1951.

A compilation reel of silent, black-and-white home movies featuring Cab Calloway and his family at their home in Long Island, NY and at the beach. It consists of 16mm film, an original 400-foot film reel, and original 400-foot film can.

A compilation reel of 16mm home movies filmed by Cab and Zulme "Nuffie" Calloway during a tour of the Caribbean, with both Kodachrome and black-and-white film edge codes indicating the year 1951.

Almost Home is a feature-length documentary that examines the many challenges individuals face when they get released from prison and the positive impact they can have if given the opportunity to succeed.

A film on the conflicts of being transgender as a child.

a boy stays at his fathers place for a weekend by himself and he films it and makes a video

National Baptist Convention in Kansas City, MO; streets in Chicago, IL; backwaters in Madison, IA.

Short domestic scene featuring Percy Stow. A print survives at the BFI.

HARD-CORE is a frank and irreverent documentary that asks the question, "what is hard-core?" Seedy, grainy, and fast-paced, this is a nostalgic look at an ephemeral moment in the history of a subculture: punk rock in San Francisco in the late eighties. Everyone from fucked-up teenagers to elderly Mexican tourists attempts to explain the allure and mystique of the scene. Filmed at SF's historical petting-zoo/theater/punk rock emporium The Farm.

In 1851, over one hundred and fifty residents of Arainn Mhor Island, off the coast of Donegal, were evicted from their homes. Speaking only Gaelic, they stayed together as a group upon arrival in the new world, and worked on the railroads in Canada. After a time, they found their way to Beaver Island, in the middle of Lake Michigan, where they established a new community, a miniature Arainn Mhor in exile. Home on the Island tells the story of the evictees and their journey to Beaver Island but, more importantly, it endeavoured to describe the character of the two communities who share the same ancestry, but are separated by the Atlantic Ocean.

A tribute to jackass. Embark on a journey about life, friendship and nut shots.

A simple meditation on ancestral memory, and the Pacific Ocean as a bridge from the California coast to the Pacific Islands.

Urban renewal in New Castle, PA displaces black families. Thankfully manufactured homes are built on an old baseball diamond and Gary is happy again.

When childcare falls through, Clara decides to brings her eight-year-old daughter, Dora, along on a nighttime mission, treading a thin line between danger and family outing.

A record of Maus writer Art Spiegelman’s visit to Auschwitz

Experimental short film depicting the home movies of Bruce Wayne Gacy and Pepper Wayne Gacy, the children of the notorious serial killer John Wayne Gacy.