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A white family has just put their house on the market and are soon showing it to an interested black family. The neighbors begin to gossip and soon the white family becomes the target of harassment and threats by bigoted residents in the community, who do not want a black family in the neighborhood.
1. Then He Said, ‘Sing!’ 2. Ridin’ Down The Canyon 3. For I’m Persuaded To Believe 4. Bigger Than Any Mountain 5. I’ve Never Loved Him Better Than Today 6. A Perfect Heart 7. There Shall Be Showers Of Blessings 8. They Call It Gospel Music 9. I’m Rich 10. Thanks 11. The Reason That I’m Standing 12. One More Mountain 13. So High 14. Heroes Of The Faith 15. Mention My Name 16. I Never Shall Forget The Day 17. The Anchor Holds 18. When The Rains Come 19. It Is Finished
What happens to history’s forgotten people? How did a young Polish woman manage to spend years living in a Tanzanian village in the 1940s? Through this ambitious, highly personal film, Jonathan Durand exposes the tragic fate of nearly 1,000,000 Poles who were deported to Siberian labour camps during the Second World War, and the thousands of them who wound up in Africa after periods of exile in Iran and India. Featuring the unforgettable recollections of his own grandmother, meticulous historical research and a gripping personal quest, the film exposes a deliberately erased chapter of history, and questions the nature of identities rooted in exile.
A montage of found footage from movies in Italian along with shots of Tina Aumont and Frédéric Pardo in the Luxembourg Garden, and in a country cemetery. The film then shows scenes of a lunch in the garden of a country house, where we see Tina and Pardo's father.
Lilia, a Colombian citizen, has lived in eight countries around the world. Now, at the age of 67, she grows old alone in Portugal, caring for an Alzheimer's patient. The filmmaker asks her mother Lilia if she has found home and if she will ever return to Colombia, her native country she hasn't visited for the past 40 years. HOME is a personal-approach documentary about loneliness and the sense of belonging.
Wenya's parents separated when she was two, and after that she lived with her father and stepmother. Her stepmother couldn't stand her and was always arguing with her father. He had little choice-he had to send Wenya to her mother's house, but her mother was fully focused on running her business and didn't have any time to take care of Wenya, so she was often shuttled off to her relatives' and friends' homes to be fostered. After so many years of a life of foster care, young Wenya felt lonely and helpless, and longed for the warmth of a home.
