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Ten years ago Keisuke went to Tokyo to become a musician. He receives a call from his far off hometown informing him of the funeral for his older brother who went missing while fishing at sea. Having lied he achieved success in Tokyo, Keisuke is hesitant but nevertheless returns home. Gathered at his parent's house are his father who lives alone; his brother's ex-wife; Hiroshi, a classmate who was the last to see his brother; and Hiroshi's younger sister Nagi who bears a limp.

It's the first time for the Cat to be all by itself at home. This Cat does not have a name yet and nobody knows whether it is female or male. And it has two faces, one is very sensitive and the other is rather naughty.

Pavel, 28, moved Crimea to a Ukrainian village after the annexation of the peninsula. But it is not easy for him to integrate into the new society. It's easier to be alone.

Ghar Ka Pata is an autobiographical account of director Madhulika Jalali’s search for her identity as a Kashmiri Pandit woman. In the early 1990s, the six-year-old Madhulika and her household fled Rainawari—a quaint suburb of Srinagar—in response to Kashmir’s separatist insurgency. 24 years later, with no memory of her birthplace, she returns to visit with her family. In retracing her roots, Madhulika weaves a narrative that juxtaposes short, impromptu conversations, filmed on the streets of Rainawari, with a string of family anecdotes. These oral accounts of a bygone era reveal connections extending beyond religion and politics. On a personal level, Madhulika’s film underlines how the pain of exile can linger across generations.

Three true stories - experienced, animated and told by the director, about not coming home safely as a young girl/woman.

An actress remains stuck in Bucharest due to travel restrictions and clings to online conversations with her friends like a lifeline.

I left Lebanon in 2006. For the past 10 years I lived in 7 countries, 10 cities, and 21 homes. I slept in 21 beds, cooked in 21 kitchens, cleaned 21 bathrooms, stared at 21 windows, wrote on 21 desks, and locked 21 doors behind me. I packed all of my life into two suitcases and a backpack. The rest stayed behind. Somebody somewhere uses my bed, somebody somewhere has my shoes. I was there. But now I am here.

A romantic melodrama starring Brigitte Lin.

A cop and his son move into a worn-down apartment building. The boy is first menaced by a neighbor girl and then goes missing. The father tries to look for him by knocking on the neighbor girl's door but finds that no girl lives there.

A woman is tormented by strange sounds when she comes home.

Traveling in the city of Beirut, a small fire particle finds its way into a middle aged man’s home, where upon its entry, the reality of this man shifts from seemingly-normal, to a never-ending nightmare.

Lam Chun-Kit (Ray Lui), a lieutenant in the triad, should be plenty content following his victory against a rival gang and the favor it has won him with his bosses. Though all is not well, as he has been diagnosed with terminal lung cancer, and with only a few months left to live, he decides to abandon life on the wild side and return to his family in Thailand to see his parents before he dies. Unfortunately, Kit receives a less than warm welcome from his brother Yan (Anthony Wong) who has...

Upon the death of his wife, Yohan keeps a coffin in his bedroom and insists on being left alone, leaving his children baffled by their father’s behavior.

(Jefan Nathanio) has parents who doted on him. namely Bagus (Teuku Rifnu Wikana) and Satri (Nirina Zubir). This happy family is disturbed when dad gets an accident at work. The is confused to find the to pay for treatment of her husband. She steales from her workplace. Upon learning of the deed, is angry with her. The quarrels between and and her mom make her flee from home. must care for his father alone Once wins a race. He is summoned to appear in television shows of Andy F. Noya. In the show he express his desire that his to go home.

Carly heads to a small town to lead a church choir at Christmastime, facing her first holiday season without her mother. While there, she connects with a man back in town after serving in the Army.

This picturesque Ukrainian farm is not surrounded by fields, but by huge housing developments. Ominous cranes overlook Natasha's land at the edge of Kiev, which year after year is being pushed deeper into a pit by new panel buildings. The brave owner protects not only acres of land, but also traditional family values, faith and ownership. From a bird's-eye view of the farm, a sharp contrast emerges between the village and the city. This peculiar family business model is set forth in a four-year chronicle from the point of view of foreign visitors who don't interfere with the way of life that the family has lived for generations.

Julien, 28, returns to his home town after spending the past 13 years in prison. Out on probation, he's obsessed with a girl... Emilie. And one day, he reaches for her: "it's me". She turns around, looks at him and starts to scream.

Mathilde comes back to the village she grew up in. After three years of absence, she finds her mother again.

A daughter returns home to reconcile with her mother, using their language barrier her spiteful sister threatens to pull them apart forever.