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Tohoku some live Watanabe Bunta wax in the town of still single in their 30s. While the tutor had been making a living. But, life the first time tutor of this hottest was unusual. Problem child and fell, such as his had to have students truancy and domestic violence.

A documentary series about living in isolation during the COVID-19 pandemic. The project participants are people from different countries who have different attitudes towards forced seclusion and are ready for a lively discussion. “When it's time to close at home, it's time to open up to the world,” is one of the series' slogans.

Xu Wangsheng, an elderly migrant worker who returned to his hometown, had a relationship with his son Xu Chao because of his years away from home and his wife's illness. The crazy girl and Xu Chao had no guesses, and later they were stimulated outside. On the night of the winter solstice, Xu Chao was seen by his father when he raped a mad woman. Since then, the mad woman has Xu Chao in her heart. Xu Wangsheng asked someone to find a daughter-in-law for his son. When the blind date, Xu Chao deliberately opposed the father, causing the blind date to fail. The father and son were completely overthrown. Xu Chao secretly went to Guangzhou. On the thirtieth night of the year, Xu Chao died unexpectedly on the way back from Guangzhou. Xu Wangsheng decided to find a ghost wife for his son ...

Sweet Home. A Taiwan film by CMPC.

Three postal workers and their dysfunctional families interact over cups of tea and Sunday dinner.

Glimpses of lives from a village in Assam reveal the relationship between its history and the present. People’s lives and beliefs are entangled with ecological strings , as nature stands witness to the narratives that unfolded there. A young boy, Rahul, hopes to write a book on his experience of growing up in this village. His mother, being deeply connected with nature can sense messages and signs arising from nature.. Urmila, a pregnant lady, is driven by sensorial experiences. But, In contrast to the serenity and harmonious living; there lurks a violent societal past.These peaceful and quiet lives intersect in a space where traumatic memories of death and loss in Assam’s thirty years of secessionist movement keep resurfacing.

A crew of film-makers made the effort to record what reflects the generation gap between the little girl Lisa and the world of adults in her family

William McClure is the villlage doctor in a remote Scottish glen. Tricked into buying Lassie, a collie afraid of water, he sets about teaching her to swim. At the same time he has the bigger problem that he is getting older and must ensure the glen will have a new local doctor ready.

It has been a year since Juliette’s sister has passed and she hasn’t been doing so well since that day, but she must learn how to be kind to herself.

After losing her mother, a child discovers a magical way of seeing the world. A fantasy story about love and self-acceptance of a father, from the whimsical and innocent perspective of his daughter on life.

Yang Lina's second documentary. She films her family as a director; her father and mother divorced many years ago, when she was not present. In the film, she keeps asking her father, mother, and younger brother various questions — and there is a a gap in their memories. The second half of the film records each person's reaction when watching himself or others' onscreen.

A Liberian refugee SAM REAYAH and his family have been separated for five years and live in uncertainty waiting for family reunion. While Sam and his younger daughter Ruth continue their lives in Buduburam Refugee camp in Ghana, his wife Decontee and his older daughter Joyce have already started a life in Rochester, USA. The film explores the idea of home. Sam's family had a home in Liberia, but they had to give it up. They were forced to build homes elsewhere. They built a home in Ghana. They build a home in The United States. They built homes together, they build homes separate of each other. But which home does the heart want?

Ximei came to Guangzhou all alone, she wants to find her own bright future in this big city, but she was always refused in the strange city. Finally, she found a job in a restaurant, and met a group of friends such as Pangniu, Qiangzai and so on. Pangniu loves to Qiangzai, but Qiangzai loves Ximei, so Ximei has fallen into a triangular relationship. Director Jack and Designer Xue’er will work together to complete a children's clothing advertisement, Xue’er has the habit of painting on banknotes. If the banknote can finally return to her own hand, then her wish can come true. Jack and Xue’er came to the orphanage to find the advertisement starring, and Xue’er chose Bingbing, a rebellious and lonely boy. Afterwards, Jack learned that Bingbing is actually the illegitimate child of Xue’er. Once an accident, Ximei got a cash with Xue’er’s painting. This scene happened to be seen by Jack, and this banknote linked all of them together.

Evtim Manasiev is an outstanding engineer. At the office, he has made a name for himself as a "whole-hogger boss". At home, his motto is: "Love me, love my dog". His children rebel against his acting at variance with his own principles. Tired and exasperated, Manasiev realizes that he has been wrong in some of his actions. On a holiday, he runs into Mihaylova, a subordinate of his whom he has recently fired undeservedly. The meeting urges him to reconsider and to review painfully all his previous life and principles. —Georgi Djulgerov

Ten years ago Keisuke went to Tokyo to become a musician. He receives a call from his far off hometown informing him of the funeral for his older brother who went missing while fishing at sea. Having lied he achieved success in Tokyo, Keisuke is hesitant but nevertheless returns home. Gathered at his parent's house are his father who lives alone; his brother's ex-wife; Hiroshi, a classmate who was the last to see his brother; and Hiroshi's younger sister Nagi who bears a limp.

It's the first time for the Cat to be all by itself at home. This Cat does not have a name yet and nobody knows whether it is female or male. And it has two faces, one is very sensitive and the other is rather naughty.

Pavel, 28, moved Crimea to a Ukrainian village after the annexation of the peninsula. But it is not easy for him to integrate into the new society. It's easier to be alone.

Ghar Ka Pata is an autobiographical account of director Madhulika Jalali’s search for her identity as a Kashmiri Pandit woman. In the early 1990s, the six-year-old Madhulika and her household fled Rainawari—a quaint suburb of Srinagar—in response to Kashmir’s separatist insurgency. 24 years later, with no memory of her birthplace, she returns to visit with her family. In retracing her roots, Madhulika weaves a narrative that juxtaposes short, impromptu conversations, filmed on the streets of Rainawari, with a string of family anecdotes. These oral accounts of a bygone era reveal connections extending beyond religion and politics. On a personal level, Madhulika’s film underlines how the pain of exile can linger across generations.

Three true stories - experienced, animated and told by the director, about not coming home safely as a young girl/woman.