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Glimpses of lives from a village in Assam reveal the relationship between its history and the present. People’s lives and beliefs are entangled with ecological strings , as nature stands witness to the narratives that unfolded there. A young boy, Rahul, hopes to write a book on his experience of growing up in this village. His mother, being deeply connected with nature can sense messages and signs arising from nature.. Urmila, a pregnant lady, is driven by sensorial experiences. But, In contrast to the serenity and harmonious living; there lurks a violent societal past.These peaceful and quiet lives intersect in a space where traumatic memories of death and loss in Assam’s thirty years of secessionist movement keep resurfacing.

Jen-chieh returns to Taiwan after his visa expires. In the old family home, he tries to find the traces of his father's love and the courage to get closer to his father.

Olga Alexandrovna was an easy-going person. She was beautiful, lively, never wanted much from life but never missed what was coming her way. She was on good terms with everybody: her husband, her son, her lovers… It was only with her daughter Lena that her relationship was complicated. Lialia had a theory that infidelity served to strengthen marriage ties. Once a schoolmate dropped in to see her son. He attracted Lialia’s attention and shortly they became intimate. Their relationship could have gone on and on but once Lialia caught her young lover with her own daughter…

Annoying, such a cat hair allergy - the cat has to go! Hiroshi's ex-girlfriend Rina wants to take her in, but besides allergens there are also a lot of memories flying through the air.

The extended Steyer family lives together in a cottage in the mountains. The younger Steyer's wife Ludmilla wants money, and doesn't care if she must ruin the lives of the Steyer family to get it.

On his return from America, András simply cannot find his place: he has lost his wife, friends and job, and he cannot even find his way back to his former great love. Eventually, as a surrogate father, he takes in a wild young girl (Zsuzsa Czinkóczi) and a particularly strong bond is formed between these two rootless people. Márta Mészáros’s remarkable movie starring Jan Nowicki and Anna Karina is about displacement, loneliness and attachment.

Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.

On one deep-sea fishing ship, a seasoned captain; a chief engineer who is retiring soon; a experienced Filipino worker who speaks a bit of Taiwanese and English; an unskilled Indonesian comes working on the ship because the agency told him that he could earn money faster. Everyone on the ship has his own purpose and longing. In the ocean, their world is only made with the deck, and the cabin. Emotions can be magnified, collide and intertwine with each other in this cramped space, and no one can escape from it.

Joel reluctantly returns to his childhood home to help his mother Monika, who has suffered a severe stroke and was clinically dead for minutes. Monika is unrecognizable and Joel becomes convinced that something has followed her back from the other side.

15-year-old Ida is a fashion blogger and city girl, and definitely unhappy about her mother's decision to move to a small farm in Northern Norway. Hating her new life from the first moment, she thinks the other girls are stupid to prefer horses to clothes and make-up. But a dramatic encounter with a horse called Kehilan changes everything. Suddenly Ida becomes eager to learn to ride, and then she discovers that the other girls are pretty OK. But upon discovering that Kehilan is soon to be sent to the slaughterhouse, a self-centred interest in clothes and fashion seems quite meaningless. But will Ida, against all odds, manage to save her horse?

On Christmas Eve while her mother obsesses about stuffing the turkey, Annie tells her family she is a lesbian.

Mizoguchi’s 30th film is the earliest surviving example of his work, and his only film of the 1920s to survive complete. Song of Home finds the director already concerning himself with the collision of traditional and modern values. The film is structured around the contrast of two country-bred boys: a coach driver who has never left his home, and a student who returns from Tokyo with city-slicker affectations and Western jazz records. Produced by the Ministry of Education, the film has a simplistic lesson-plan at its heart, but what lingers in the mind after viewing are its more ineffable qualities: The dulcet, lyric, evocation of a disappeared rural past.

Newlyweds Mel and Ikenna abandon their bustling city life after inheriting a secluded family home in the Adirondack Mountains. They seek solace in its isolation but quickly find their dream of tranquility turning into a nightmare when they are joined by friends Taylor and Arjun, only to encounter a sinister force that preys upon them one by one. Mel and Ikenna must confront an eerie presence that seems to entrap them in the forest's haunting past. Struggling with their growing paranoia and the forest’s chilling echoes of time, they must unravel whether they are haunted by vengeful spirits or simply unraveling from the strain of isolation. Winner of the Golden Ring for Best Film at the Ravenna Nightmare Film Fest, Come Home is a meditative exploration of loneliness and the relentless power of place.

Stop motion animation. Part 3 in a series. A comet is on a collision course with Earth. The oceans have dried up, and Moomintroll and friends need to make their way through raging sandstorms to get home to their parents.

Hannah, an aspiring young actress, has dreamed all her life to make it big in America. When this dream doesn't come true, she must learn to live life back home again and heal past relationships.

Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)

The german-vietnamese Linh gets her period for the first time. Her mother Vy is too busy with a customer so she gets help from Mai who is working in her mother’s nail salon. The girls connect and become friends immediately.