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An intimate portrait of David Hockney, featuring interviews with the artist - one of Britain's most beloved painters - in London and Normandy, and exclusive new footage of a master at work.
The celebrated British artist discusses his life and work with Melvyn Bragg in his Normandy studio, revealing his influences, inspirations and plans to keep on painting.
Filmed in his London studio, David Hockney sits down with Melvyn Bragg to discuss his remarkable life and career, illustrated by a wide range of his vibrant and joyous artworks.
Using large-scale projection in a remarkable new space, David Hockney takes us on a personal journey through sixty years of his art. Lightroom’s vast walls and revolutionary sound system enable us to experience the world through Hockney’s eyes. His life-long fascination with the possibilities of new media is given vibrant expression in a show that invites us to look more closely, more truly and more joyously.
Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide. Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness. Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London. Director Phil Grabsky secured privileged access to craft this cinematic celebration of a 21st century master of creativity.
The sexy story of the iconic British artist David Hockney, who is adamant about living life in the now.
Using over 50 years of archive footage, this film looks back at the life and career of David Hockney.
Pleasures of the eye, David Hockney’s work has shown him to be one of the most versatile and influential artists of our time. The British artist invites the observer to take a visual stroll through his paintings and explore the dimensions of time and space. In communicating a new sense of the spacetime continuum, he injects the medium of photography with entirely new and living components. His sensuous theatre sets make us hear music with our eyes and see colours with our ears. The documentary filmmaker Gero von Böhm paints a memorable portrait of a fascinating artist, whose work allows all of us to see the magic in the small and seemingly insignificant details of everyday life.
Andrew Marr interviews David Hockney about his exhibition A Bigger Picture at the Royal Academy, made up of works depicting the landscape of his native Yorkshire.
Renowned English painter, David Hockney, takes us on a visual journey as he shares with us his treasured photo diaries. Consisting of polaroids Hockney has been collecting since 1967, the diaries act as both a tribute and an artist's notebook, often times including images the painter used for his large canvas works. A fine example of Hockney's pictorial inspiration are several photographs of castles he took during a boat trip down the Rhine that were later adapted for a suite of etchings to accompany six Grimm's fairy tales. Seeing his projects long before the work begins, Hockney used his camera to slow time and capture images that would go on to boast his unique style of realism. In David Hockney's Diaries the artist is seen at work on a large canvas of his friends Celia and Ossie Clark and their cat Percy, commissioned by the Tate Gallery.
Hockney talks about his 40 year love affair with photography.
'Love's Presentation' may be a time capsule of a rising art-world star, but it also pokes fun at the perspective of a celebrity profile. In its opening sequence, an antsy-looking Hockney squirms as a narrator reads aloud critic Jasia Reichardt’s introduction to his star persona. Scott’s portrait of Hockney is more expansive, spurning the growing popular image of the artist in favor of following him at work; He’s described the film as a “how-to” documentary. Filmed in April '66 in Hockney’s ground-floor apartment and studio, Hockney himself improvised the narration while watching the film. We watch the artist carve delicate lines into the plates, submerge them in an acid bath outside his window, then wipe his hands on the window curtains... A rare, relaxed close-up on Hockney’s creative process.