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In the film we meet Vera’s parents; Vibeke and Geir, the artist and recent closest friend, Edson, and childhood best friend Selma through the memorial ceremony for Vera. A ceremony that is developing to resemble as a cultural festival, rather than a conciliatory gathering for people in grief.
Nu's friend often spends the night at her place. As Nu tries to figure out if her friend has a crush on her they become closer.
A man living in the past spends a night in his hometown.
We are in Marina Grande of Sorrento, following a dog named Rosy and listening to the stories of those who work there, between past and present.
Naga, an eleven-year-old boy from a rural background is employed by a family in Mumbai to look after their child. Naga longs for his home.
The second film of the Pandemic Trilogy, “Why Am I Still Here Then?” is a sequel to 61 Street No 4, and it makes the audience experience the unconscious reflection of the Other who entered in the previous film. The monologues throughout the film emphasize the character's feeling of being stuck and her confrontation with the unconscious. As a result of the confrontation, the audience is left with a mind ready to be completely liberated. Experimental narrative, creative montage and sound design come to the forefront in “Why Am I Still Here Then?”, and it narrates us understanding and accepting our unconscious.
A spatial exploration of Miami, and the endless pursuit of the American Dream in an era of immigrant mass mobilization, the absurd dominance of wealth and border securocracy.
Examine the birth and development of sun-and-beach tourism on the coast of Valencia, Spain, through sociological, urban, ecological and cultural lenses.
Symbol has its power because people believe that it has the power.
Ji Hoon and Ji Seok live with their grandmother in the valley after being parents. It's a fragile twin that's really different from what you might have come out of. Ji Hoon, who came out 5 minutes earlier, is foolish to do foolish looks, while Ji Seok is quick to notice handsome looks.
A flower man from Seoul appears in front of them after a boring daily life in a rural branch school. At first glance, Ji Hoon falls in love with Byeolbun. Ji Hoon does not deserve such a spirit, but rather he is worried about the ugly one who is greedy. In the meantime, Mr. Flower puts the phone he cares about most in the toilet. For this reason, Flowerbun ignores Ji Hoon and shows interest in Jiseok. Ji Hoon was worried that he would take the flower powder from Ji Seok.
It presents a fragmented glimpse into the life of people on the move hiding in the unofficial camps in the forests on the EU border.
Formats and films.
In the winter of 1969, along the barren banks of the Yellow River, 30-year-old farmer Zhao Da remained unmarried. On her deathbed, his mother entrusted him to his granduncle Zhao Tiantang. Zhao Da was romantically involved with Gou Dan, a poor girl from a neighboring village whose mother was gravely ill. Out of kindness, Zhao Da sold his sheep to help them. However, militia minister Mi Laichang intervened violently, capturing Gou Dan. Humiliated at a struggle session, Zhao Da defended her and was severely beaten. Gou Dan, in despair, drowned herself in the Yellow River. Following her death, Zhao Da's friend Shuangxi attempted to find him a wife but failed. Zhao Da, in a fit of anger, took down a "ghost marriage" notice to fulfill his mother's wish, which led to further conflict with Mi Laichang. He buried Gou Dan's remains in his family's ancestral tomb and left home in tears.
A journey through four consecutive seasons on the banks of a river flowing through a lawless land of alienation.
Leo gets abducted and carried around in the trunk of a car. The man who is holding him captive has a sinister plan. He gets Leo to bury corpses for him. In the process, Leo gets to speak with his ego and gets glimpses of his higher self. Will Leo get out of this alive?
A film by Polar Skate Co.
Shimokajiro Housing Complex is a public reconstruction housing complex for people evacuated from Namie, Futaba, Okuma, and Tomioka, as a result of the disaster at the Fukushima Daiichi Nuclear Power Plant. In this housing complex, where people gather from different places and where many elderly dwell, they began making and distributing CDs on music they remember, also putting on a show as if they were running a radio program, and even forming a band to play along with the rhythm of each singer. This film is a record of these unusual support activities for the disaster-stricken areas, connected by music to transcend the times and the COVID-19 pandemic.
A complex landscape of improvised situations immersed in a perpetual network of mines under the Slovenian town of Trbovlje (Iztok Kovács' hometown and his main source of inspiration). The realistic imagery of this post-socialist city, which seems to still exist outside of time, has triggered the impulse of this introspective introspection by a team of renowned dancers and filmmakers. The physical tension and human flashes of seven bodies crashing into a deliberately chosen enclosed environment, surrounded by the unlit warmth and humidity of the underworld, inhabit and create the poetic mood of the film, echoing Tarkovsky and Beckett.
"Michinoku," a horror documentary series led by the renowned spiritual hunter, Makoto Kitano, and his team of spiritual detectives. Contains three parts.