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The narration of the filmmaker begins with the image of the "you" in her mind, as she repeatedly crosses a crosswalk. The image leaves the screen and is projected everywhere. The image leaves the screen and is projected everywhere, even on the toilet bowl and the artist's body. And the "you of now. A very personal monologue, like reading one's own diary, is beautifully expressed through the narrative style and the experimentation of the images.
Mukhtar comes to live and work at the police kennels through rather unusual circumstances. Together with his handler, Glazychev, Mukhtar helps to solve large and small crimes.
It's a feature-length narrative film about a middle-class couple, that wants to adopt the perfect little girl, but they end up being offered a rebellious 12-year-old boy.
In Kaohsiung, Taiwan, a handful of residents refuse to move away from their beloved and almost completely abandoned village.
Paul is here. Like a step backwards, like a ghost knocking at the door. He is here, and his annoying presence will disrupt Jeanne's everyday life.
Pedro returns home to a small mountain village in Guerrero, Mexico after years of working in the US. He finds his daughters older, and more distant than he imagined. His wife still has the same smile. Having saved some earnings from two trips to the US, he hopes to now finally make a better life with his family, and even to pursue his dreams on the side by starting a band: Copa Kings. He cherishes the everyday moments with his family. The villagers think this year's crop will be bountiful. There is also good work in a growing city an hour away. But the locals are wise to a life of insecurity, and their thoughts are often of family members or opportunities far away, north of the border. While working in the fields, Pedro meets and begins to mentor a teenager who dreams of the US. That place somehow always feels very present, practically knocking at the door. "Aquí y Allá" is a story about hope, and the memories and loss of what we leave behind.
After being sent away from the man she loves, Shino wanders in Osaka, waiting for him to reach out again.
Two itinerant cowhands hire on at a ranch owned by a woman, end up fighting two bad-hats who rustle la patrona's cattle and set fire to her stables.
Xun, a Chinese migrant worker, falls in love with Chong, a Malaysian colleague at her warehouse job. Their relationship is like an endless dance of two jellyfish in the ocean, making ends meet with no end in sight. Until one day, Xun announces she is pregnant, which is a deportable offense, and the fates of Xun and Chong are altered forever.
Phone Made Good Film No. 7
Aquí y allá is an essay film that studies what being at home means. The filmmaker uses photographs, maps and Google Earth to connect places around the globe; not just from her own past, but also from the complex migratory history of her family that stretches back to Hitler-era Germany and Mao's China. Reality and the virtual prove equally confusing: however much you zoom in, you never get closer to home.
Propulsive Polish avant-garde animation following clouds of shapes that resemble nebulae or stellar surfaces.
A panoramic view over society across ten unfortunate characters whose stories sometimes intertwine.
An isolated and lonely old man in the mountains tries to save Sohrab’s, his son, life. But, despite of all his efforts, he cannot change the son’s death sentence and Sohrab is executed. So he takes the body of his son through the mountain and rivers, baptizing him. Meanwhile, the old man also should take care of his grandson.
2018, Christmas Eve. Arround the world, families gather to celebrate. In Brazil, two young men meet.
Memories, identity, intergenerational trauma and diaspora become merged and confused. An exploration of a meditative respite from the human condition.
Here and There (1961) fuses live-action and animation and was screened at Three-Person Animation 2. Musique concrète and electronic sounds made by modulating everyday noises such as flush toilets are interspersed throughout the work. Contrasts between opposites, as encapsulated by the title – between live-action space and animated space, between mundane sounds of daily life and bizarre noises – and the war between the sexes, a signature theme in Yōji Kuri’s work, are also palpable in the juxtaposition of musique concrète and scat singing. (CJC).
A life-like doll is talking on the phone in an entirely black space. A pantomime in which a cinema becomes a piece of theater. The viewer can only interpret the body language. One recognizable gesture leads to another, yet the underlying script remains a mystery.
In this animated short, filmmaker Diane Obomsawin shows how childhood can be a chaotic time, especially if you're bouncing back and forth between two continents. With engaging candour and gentle humour, Obomsawin fleshes out an uncertain identity and takes control of her life. Using drawings on paper and digitized snippets of fabric, she creates a whimsical world of simple lines and pastel tones.
Inside David’s lives a troubled, doubtful, neurotic young man.