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A long time ago, when monsters and ogres lived around the world, Zeus decided to make his son Hercules immortal so he could rule over Greece. But Hera, Zeus' wife, doesn't like the idea. Now, Hercules must prove he's worthy of being called a hero.
aka Hercules and the Black Pirates. Brave and noble Samson fights pirates as a soldier in the royal army. He wants to marry lovely fair maiden Rosita, but her haughty governor father disapproves. Meanwhile, the cunning and duplicitous Rodrigo Sanchez joins forces with the wicked Black Pirate to thwart Samson.
Based on the ancient Greek myths about the exploits of Hercules.
Two boxing promoters travel via time machine back to the days of Hercules, who must save them from Genghis Khan and the Mongol Horde.
Italian sword & sandal thrills as the son of Hercules is pitted against an evil king and his wretched followers.
Despite seeing his film project HERCULES rejected by DEFA Studios in 1983-84, Dammbeck remained fascinated by the Hercules story. He started experimenting with different media combinations, using overpainting, photography, film clips, collage, painting, and movement. These experiments resulted in groundbreaking multimedia collaborations, as well as the film THE CAVE OF HERCULES, in which Dammbeck explores a series of questions inspired by this classical figure. Who was the legendary hero Hercules? Is there a new Hercules today? How are heroes created in a totalitarian society? What are the virtues of heroes? This multi-layered experimental film combines projections of collected film clips, quotations from “The Willful Child” by the Brothers Grimm, and “Hercules 2 or the Hydra” by Heiner Müller, as well as dance scenes with Eva Schmale that were performed – at Kampnagel in Hamburg – specifically for the film.
Francesco Cavalli, a natural successor to Monteverdi, was the most famous and influential Italian opera composer during the mid-17th century. Cardinal Mazarin, chief minister to the king, commissioned Cavalli to create a Parisian spectacle to celebrate the wedding of the ‘Sun King’ Louis XIV and the Infanta of Spain. Ercole amante (‘Hercules in Love’) was the flattering subject chosen for this regal extravaganza combining larger-than-life characters with mythology, and genuine human emotions with natural and cosmic phenomena. The result is a sumptuous Baroque spectacle, conceived on a vast scale in this lavish production by directors Valerie Lesort and Christian Hecq.
A skinny troublemaker and his good-natured, bemuscled sidekick find trouble in Hong Kong.