He She I Was

A look at restroom confusion.

He, She, I Was captures strangers on the street as I tell their, and my own, supposed life stories. By switching between presumed fact and fiction, the film calls its own validity into question. Can movies ever be trusted to tell the truth?

A short artist film that explores femininity and sexuality. SHE journeys through her life and mind in order to be reborn, and reclaim all that men have taken from her.

She Kills He is the story of an unlikely pair finding love in a most unexpected place. Two people in the midst of overcoming their own adversities simultaneously find themselves innocently exploring and testing their newfound love in the gritty back streets of Miami.

When a handsome young man decides to leave his older female lover his escape plan is foiled when her early return coincides with his new lover's arrival. A classic set up for disaster and heartbreak? Or perhaps there is another possibility?

An amusing picture showing a quarrel between an elderly husband and his young wife, and a joyful reconciliation.

I You He/She We You They, tells the story of a young girl who is forced to marry the perpetrator of rape struggles between power, law, society and family. Salvation is in solidarity...

Celia had been married only a few months. Her husband received a small salary, and Celia could not understand why it was she did not have the pretty things her friends had. One day, while on a shopping tour with her chum, Rose, she is persuaded to buy two beautiful statuettes. The price was a little more than she could afford, but she thought she could pay her chum for them, thereby not creating the suspicions of her husband. Her conscience gets the better of her, however, and she confesses all to him. They quarrel.

Seaman constructs this evocative visual and verbal poem through a collage of image, music and spoken text. Originally shot in Super-8 film, S.He is a lyrical rumination on the dualities of male and female, sound and image, motion and stasis. Seaman shot an industrial landscape from the window of a moving train, isolating the architecture's sculptural elements and subtly altering the images with slowed and staggered motion. Seaman's hypnotic, chanted text is a litany of associative and metaphorical phrases that, through linguistic and symbolic associations, defines the elusive, genderless identity of the title.

Sequoia (Koi) is a nationally renowned art director who has done everything to be the number one woman in her man Kenyon's life. Kenyon(Ken) is a reformed player, or at least that's goal. But no matter how hard he tries, he keeps getting drawn into the web of women from his past. Koi's best friend Nika has been trying to tell her to move on for years. With his friend Colin encouraging his doggish ways, Ken find it hard to stay true to the woman that captured his heart. Will his determination prevail?

Made during COVID-19 lockdown with limited resources, "HE SAID / SHE SAID" incorporates a series of reaction shots repurposed from the artist's collection of 16mm found footage to create a reflection on the world at large during a time of introspection, concern, and anxiety. The exchange of gazes evoke a gendered and racialized undercurrent. The footage was optically printed and hand processed into a single film print using expired hi-con film stock.

Docufactory's Is She or Isn't He? (2010) follows the transition process of New Zealander Graham to Ashleigh. Filmmaker Justin Pemberton spent five years with Ashleigh, who ultimately just wants to be a heterosexual woman loved by heterosexual man, as she meets with doctors and searches for her true identity. This documentary explores the intensive process, both physical and psychological, of figuring out who we are in the midst of social labels and judgments.

A tale of a married couple who dress their little boy as a girl to fool his aunt, because she said she would only leave an inheritance if they had a girl.

A person in front of a mirror experiences a transformation.

When the members of a small storefront church called the True Vine find themselves worshiping next to a seedy nightclub called the Twenty Grand, they clash with the thugs who hang out there. But as each group tries to win control of the block and rid the community of an unwanted element, they learn that God may have other plans. This stage play by David E. Talbert was eventually adapted into the short-lived television series "Good News."

The story of Gluck - Britain's cross-dressing high society painter of the 1930s - who staged 'one-man shows', had relationships with women and somehow got away with it.

The animated story of the Hardibars and Mushamels—whimsical clay creatures who discover that gender stereotypes are not always accurate or useful.

An illustrated lecture, with digressive overlays. Remixology meets biopower.

A soldier stranded on a desert island is captured by a tribe of sadistic women who torture and mutilate the men who oppose them. The 46min version is the only one available at the moment