Happy

A concentration camp on a barren island is hell for the exiled political prisoners. The everyday life of the prisoners consists of interrogations, psychological and physical violence, arbitrary punishments and other torments. One of the prisoners who refuses to yield is subjected to torture. Trying to escape, he falls into the sea. When the Queen visits the island, the prison guards find the runaway and murder him without a second thought, since he is already assumed dead.

The triumphs and failures of middle age as seen through the eyes of runaway American housewife Mary Wilson, a woman who believes that ultimate reality exists above and beyond the routine procedures of conscious, uninspired, everyday life. She feels cheated by an older generation that taught her to settle for nothing less than storybook finales, people who are disillusioned and restless and don't know why, people for whom life holds no easy answers.

A couples therapist who doesn't believe in love has her stubborn convictions put to the test when a one-night fling turns out to be a new daily co-worker.

After restaurant owner Chang dies, the whole town of Obdam is in deep mourning for 'their Chinese'. The always loyal Yung Ling (34) is forced to keep the struggling Chinese Indian restaurant Happy Palace running with her brother Lok Man (32), an artist and the most eccentric of the family. Unresolved feelings are getting in the way of cooperation, but their pragmatic mother Suk Wai (56) sees an opportunity to unite the shattered family.

An amazing tangle of relationships unfolds between several women, their entertainment, their dates, and their children.

An alcoholic drifter must battle withdrawal and psychotic rednecks after he becomes the target of a deranged sporting event.

Filmed during the Nazi occupation, this panoramic drama set in a Prague department store follows the divergent destinies of four female coworkers, each of whom seeks happiness in a different way.

Rene Liu successfully delivers the complex role of Mi, who chooses to remain single rather than risking the slightest chance of being dumped. She loves her friend Nan more than anyone, yet she asks him to be her best friend instead of boyfriend. For ten years, he wishes her a happy birthday no matter how far they are geographically apart or who they are with. However, this year his greeting arrives 42 hours late...

Byung-ki is a clumsy village policeman who helps out with trivial tasks like distributing promotional papers, though he dreams of fighting evil. One day, he runs into Min-kyong, an employee at the neighborhood bowling alley, and falls for her at first sight. However, his attempts to woo her go unnoticed. Meanwhile, Sang-doo, the boss of the local gang—with whom Byung-ki harbors a boyhood grudge—also swoons over Min-kyong and vows to take her virginity on Christmas Eve.

The film stars Mukesh and Suraj Venjarammoodu as two CIDs who investigate a missing case.

What is beautiful about adolescence is that it is a time when everything is still possible. The four main characters are each conditioned by their background and environment, but they refuse to accept any predestination and to fight it. Expelled from schools, spurned by lovers, confined by identity these youngsters just keep on running, frustrated and in flames. Lonely hearts, intoxicated by music and alcohol, by the heat of minds and bodies, burn to ashes.

Your perfect match can be found in the most unexpected places. Tian Xiao Ni (Tong Yao) is a top fashion designer who is at the peak of her career thanks to her meticulous personality and razor-sharp focus on what she wants out of life. She has lived by the motto of “Perfect Self + Perfect Other Half = Happy Life.” But because of her impossible-to-meet “18 Standards for Mr. Right,” Xiao Ni finds herself still single despite her charm, beauty and talent. When Xiao Ni meets Zhan Wang (Kimi Qiao), she thinks she has found her “ Perfect Other Half” and begins to pursue him. Zhan Wang is a professional race car driver who suddenly quits at the peak of his career and now helps a friend manage an auto body shop. Will Xiao Ni discover that true love can’t be customized to her ideal specifications? “Customize Happiness” is a 2016 Chinese drama series directed by Xie Lü

* The first story: Ga Yeong begins to work with her ex-boyfriend Do Hoon in the same office. Ga Yeong has been married for the past five years. Do Hoon blames himself for past mistakes and asks Ga Yeong to start over again. This moves Ga Yeong's heart. * The second story; Ga Yeong's husband Chan Woo runs a small neighborhood cafe. Chan Woo then gets involved in an accident. This brings him close to Ah Reum, who runs a flower shop instead of her sick mother. Her unexpected behavior embarrasses Chan Woo, but he is attracted to Ah Reum.

Following the lives of three downtrodden but resilient outcasts, John Lo Mar's gritty social drama paints a sense of realism rarely seen in Hon Kong movies. Li Ching - the best actress of her era - play Ah Chiao is a girl from a rural village stranded in the city, who befriends a kind-hearted transient and a retired actor. They are poor, but they are happy. Although her fortune changes for the better when she becomes a singer, she ultimately learns money can't buy happiness.

Pierre-Louis Cinq-Mars is a successful stockbroker. Everything in his life is well-ordered -- stock investments, luxury car, the latest computer, stylish and tasteful clothes...well-ordered to the point of being utterly predictable. Jackie Pigeon, the owner of the Camping Pigeon campground, is a go-getter who always gets her way. She conducts her business with a sure hand and everything at the campground runs smoothly. Her life is the complete opposite of Pierre-Louis's -- she's rather messy, of modest means, wears flamboyant and sexy clothes...everything in her life hovers on the edge of bad taste. Two people from completely different worlds whose paths would not normally have been fated to cross.

A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.