Happy

4th Photobook shot in Yokohama.

After a betrayal, Chiharu moves from Tokyo to Sapporo and discovers a mysterious bento maker who's packed meals magically mend her broken heart.

Saving the world one bite at a time – things spiral out of control when lab-grown vegan meat develops teeth.

A young fitter at a bus stop accidentally pushed a girl, and she fell. This is how they met, although both are dating their other halves. One day, he gathers friends to build his dream house overnight. He found her at a roadside restaurant, and they walked through the forest all night, and in the morning he puts her in the car and takes her away.

Happy, a timid Sardar living in Patiala, finds his life turned upside down when he falls in love with Mary, a Malayali Knanaya Christian girl. His folks want a Punjabi wedding and Mary's father is adamant about having a Christian wedding.

Fridrihs Vesmanis (1875–1941) – the first Chairman of the Saeima (Parliament) of the Republic of Latvia, Latvia’s envoy to Great Britain, and a Supreme Court senator – was arrested and deported by the Soviets in June 1941. It was forbidden to mention his name during the years of the Soviet occupation. Only after Latvia regained its independence, his descendants found his autobiography, which reads like a last letter to the future Latvia. This film is dedicated to the inception of the Latvian state and the centenary of its Constitution and Parliament.

In this romantic comedy sequel, Hana prepares for her perfect wedding in Croatia, but rollicking chaos ensues when her three best friends get involved.

[Setlist] 01. I was kidding 02. Loss of Love 03.GRY 04. Achilles tendon 05. Auto Reload 06. Fairy Town 07.ZukiZuki 08. Negative Monster 09. Sorry Sorry 10. VOICE 11. Dreaming 12. Swimming in the Sea 13.anima 14. I was dreaming 15.fly 16. Midsummer Cider 17. Mercury 18. Strawberry Moon 19.Cinderella step 20. I want to go home! 21. Sotsugyo

Three thirtysomething chemical scientists, Laci, Gyuri and Kati celebrate the success of their development program before New Year's Eve with drinking for several days. But the morning of New Year's Eve does not bring the expected recognition, because the nice, bald, old director is replaced by a young, bald, but disagreeable one. In a sodden atmosphere it becomes clear that everybody has an axe to grind in the informative discussions.

Masood, a street vendor who supports his mother and brother, student Kamal, finds a large amount of money inside a bag among some old papers that he bought from a woman. After consulting his friends in the neighborhood, he returns the money to its owner, and gets a reward from her. The lady is killed and Masood is arrested for the doorman's testimony that he was there before the accident.

Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!

“Happy ending” is part of the ongoing project “Glossolalia”, which proposes the construction of a shared place through the subversion of the road-movies’ individualistic tradition. Taking as a motto a fiction about a couple who finds an idea of home in their car trips, the video explores a place of duration within the non-representable space beyond the resolution of a happy ending (a convention that marks the end of the dramatic interest of a story). Through repetition and loop, it plays with the archetype of the tunnel (space of passage and transformation), remaining in an intermediate state, between escapism and ecstasy, light and darkness, speed and continuity. Unforeseen elements such as reflections and optical effects, radio sounds and interferences, laughter and breathing, become symbols of being on a journey, where directions are influenced by improvisation and attention is tuned, permeable to the elastic time of a shared experience.

Meet the Dholakias, a family of four generations living under one roof, as they navigate the ups and downs of their lives. While they appear to be picture perfect, they are endearingly, heartbreakingly human, each with their unique quirks and quibbles. Follow their journey as they try their best to navigate through all the things life throws at them.

Sastra is an unemployed person who wants to become an announcer. He finds a magical app and meets a woman named Jenny. Jenny is the type of woman he wants, so without thinking, Sastra starts looking for a way to win Jenny's heart.

Happy Families is a children's television series made in the late 1980s based on the Happy Families series of books by Janet and Allan Ahlberg. Each tale is about a family of characters which in turn is based on the Happy Families card game. The cast played several different characters throughout the series with many recurring roles for the main cast including Milton Johns, Annette Badland and Elizabeth Estensen. Happy Families ran for two series, 24 episodes in all, and was shown on Children's BBC in 1989 and 1990.

A famous actress goes incognito to seek treatment for a medical issue, and in a hospital waiting room she meets three remarkable women who help her face adversity with humor and camaraderie.

Wu is in her mid-twenties and lives with her mother in a traditional one-story house in one of Beijing’s hutongs. Both consider themselves to be writers, but success has so far eluded them. The fact that Wu is supported by a divorced, elderly man helps the women through lean periods. Their unhealthily close relationship is characterized by reproaches and quibbling; only during meals do they appear to lay down their verbal weapons. The situation escalates when both Wu and her mother hit an emotional low.