Grandma And The Bad Boys

An old Russian grandmother or "babushka", who took part in the Battle of Stalingrad, sacrificed everything for her children and even sold her house to get money for her grandchildren, is shuttled among those very grandchildren--products of the "new" Russia--none of whom want her to stay with them since she's too much of a "burden" for them.

An observation of a Grandma's life. Every day, Grandma greets a wide range of characters, most of them typically in need of something. Her family uses her house as a magnet, visiting practically every day. Just like her home itself, she has always been there for her family.

A short film by Walerian Borowczyk. This first volume looks at the first three letters in Grandma's encyclopaedia: A for 'Automobile', B for 'Ballon', and C for 'Chemin de fer'.

Mivtza Savta ("Operation Grandma") is a satirical Israeli comedy about three very different brothers trying to get around many obstacles to bury their grandmother on her kibbutz. The story takes place in Israel, in the fictional kibbutz "Asisim".

The life of two old people Katya and Pasha is turning upside down after arrival of Katya's sister Mila who is definitely not an ordinary average person...

A story about the relationship between a grandma and her granddaughter, despite the physical difficulties.

Home-design sales representative Tomohiro lives with his wife and their son. As his job involves houses, it is his motto to take great care of the family who live in the house. However, he has been working so hard that he has forgotten to cherish his own family. When he looks after a client who wants to leave her father-in-law in a nursing home, it reminds him of his grandmother whom he loved so much. Father's death, grandmother's struggle with disease, and home care - those were grueling times, but the memories have become invaluable for Tomohiro. He realizes his family is the most precious thing of all. On a day off, he and his family decide to visit his mother who lives alone in their old hometown.

At the age of 93, my dear grandma tried to commit suicide. I am so afraid that she might go away, but I am spending time with her so as to make our farewell more beautiful and warmer.

Let's Go, Grandma! plays like an exuberant, goofy update to Yasujiro Ozu's Tokyo Story. Kinuyo Tanaka plays the titular Grandma, who, after selling her Hokkaido property, is apparently flush with cash but newly homeless. Her grown children take turns hosting her, making extravagant performances of filial devotion with an eye to potential profit. Making use of a catalog of wacky visual effects, bracketed by gratuitous ham-fisted fight scenes, and costarring pop singer Hideki Saijo, the film is balanced by Tanaka's nuanced performance, which delivers a denunciation of hypocrisy and greed.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

When my parents decided to take both my grandmothers under our roof, life remained stable, despite the fact that one of them was plagued by mental illness. As time went by, however, the problems slowly started to emerge.

This is the brief story about defencelessness of the death and audacity of life.

The film avoids the simplistic emotional cliches that often accompany films about death, instead using a powerful visual metaphor to show the main character’s fear and confusion over an event that she can’t fully process. Raeymaker expertly controls the tempo of the film through her directorial and design choices, alternating between the tranquil beauty of the countryside and the disturbed excitement of the mind.

Milica lives with her aging grandmother in the Serbian countryside. When Milica’s uncle arrives, he delivers the surprising news that they are departing for Germany and in order to cross the border, Milica must pretend to be his son. However, Milica is very resistant to the idea of leaving her grandmother.

Young Lena becomes a chief manager of a workers' club. The problem is this club is not constructed yet and finishing it takes too much effort from a young girl. The solution is found by her grandmother and her 'old guards'. Look out Lena's enemies. Here's her grandma coming!

On the night of one day, the passage had become a quiet river just like a mirror. This story is a tale in which the goldfish which grew old, and the grandma of dementia go down the river of memory.

A remarkable tale unfolds as a spirited and lively 94-year-old grandmother, known as "A Blooming Flower from Zhongli," unexpectedly rises to become Taiwan's cherished internet sensation. Unleashing her vibrant personality, she effortlessly transitions into a captivating comedian on screen. Her whimsical video, where she charmingly imitates a rap artist, spreads like wildfire, propelling her into the spotlight, including an invitation to perform for the Taoyuan Dementia Care Association. By a twist of fate, she collaborates harmoniously with her community to produce the cinematic spectacle "Grandpa Grandma Warriors vs. Zombies."