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1990 Original Video.
8mm film by Bojan Jovanović.
5 elite girls - Sazzy, Fasha, Fazura, Linda and Nana want to join a student exchange program to New York, unfortunately, they are not elected! What they will do the trick? Let's watch.
About children's performance at the Amateur Olympiad.
Taiwan movie
After stealing the beloved cat of the girl he's in love with, Adam presents himself over the phone as a hero who saved the lost pet, but the cat's unwillingness to cooperate could expose Adam's lies.
With the civil unrest after the murder of George Floyd, Oprah talks to black leaders, activists and artists about systemic racism and the current state of America.
Johan Kuipers expresses his doubts about being an artist. In particular, his regularly recurring desire to quit my profession plays a major role. The video is an accumulation of applications of the video medium: music, art and advertising videos and documentary fragments placed roughly one after the other. The whole of the separate videos almost ‘reads’ like a portfolio, but ultimately it is a kind of pilot broadcast of Bedhelm TV, a TV channel that broadcasts Kuipers' music and music videos non-stop.
Lily-May decides to tell those closest to her about the choice she has made. She intends to end her life at an assisted suicide clinic. When the time of our own death is predetermined, is saying goodbye any easier?
The stations of a breakdown: the seaside, a winter landscape somewhere far up in the north, a hospital room. Kühn’s diary film is constructed from a series of snapshots and stolen moments of intimacy between a man and a woman, a relationship threatened by the hardships of mental illness, the fragility of love, and the desire to leave and the desire to stay. Is it the end or only the beginning? Delicately weaving in and out of different emotional registers, the camera itself becomes a kind of protective tool that simultaneously shields against the pain of living and opens up a space for self-reflection. (David Perrin)
A short film about the fall of types of media which once reshaped social life; momentarily elevated to the apex of technology and human adaptability, and eventually replaced by the constant sophistication of the machine. The degradation of a magnetic video tape is driven by the reverberation of voices that, when echoing through radio waves, worship defeated myths – the power of old lighting poles that fight against expiration, a scared away titan that will soon become scrap.
A recap of the TV series with six and a half minutes of new footage.
The filmmaker captures his environment with the camera, fearing he might be losing it more and more. Strict rules about using the entire clip length and its original audio track inform the editing process. The tableaus and their insistence in duration create a pull into an increasingly isolated state of perceiving the outside world in its unspectacular yet strangely unfamiliar intensity.
The Go-Ongers intercept the Recycle Barbaric Machine Beast Army in their Engines, managing to scrap the 13. However, trio of mysterious warriors appear and their actions result in the Go-Ongers losing the primary Engine Casts while being sucked into the Braneworld known as Samurai World, a dimension similar to Edo Japan where power is essential.
Despite the increasing number of people entering the field of documentary filmmaking, historical subjects are less popular due to limited materials and the difficulty in handling them. Hu Jie has chosen to stay in this field and work hard. "I know that shooting these historical subjects is very dangerous, so how can you ask others to do it? It can only be their choice after they have seen your work." Since 2014, due to health reasons, Hu Jie has not been actively making documentaries. This year, in response to an invitation from the Lung Ying-tai Cultural Foundation, he still provided the film "A Sidelight of the 1968 Up to the Mountains and Down to the Countryside Movement." Over the past three years, he has primarily engaged in printmaking, producing about 70 to 80 pieces, in addition to many small print bookplates.
"Searching for Love: A Story of Family Life Delicately Presented" This is a family movie that mainly reflects the importance of family. Home is a nurturing environment where family members gather together and share some of the subtle actions and interactions of each other's lives, revealing Show love and support for each other. Reflect on the subtle but important moments of love in our daily lives as a family . The importance of these moments can only be discovered and cherished when we take the time to observe and reflect.
In this vivid pastiche of images, music and text, Santos addresses technology and image-making in the context of cultural formation. Writes Santos: "Technology is explored in terms of information speed — a feature that makes popular absorption and understanding all the harder. Metaphorically, this process is akin to obtaining information through the ultra-condensation of mere legends and subtitles. Though this may occur in developed countries, such a process displays and unleashes its greatest vigor in a culture such as Brazil's. I Cannot Go to Africa Because I Am on Duty indirectly touches upon values: instead of being concerned with the information-absorption process and with the likelihood of controlling the image-producing process, we are hellbent on running a race, whose sole goal is to employ the latest technological innovation in terms of image production."
The Count of Montebello and General de Boisdeffre arrive at the coronation of Nicholas II of Russia.
Short film by Hanna Bergholm.